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Search Results for: peter robinson

From council houses and orphanages.

Peter Riley: ‘Stadnicka is not devoted to difficulty for its own sake but it is as if the movement of the verse is inevitably led into it by having to face realities which cannot be explained or recognised in any other way. While with some poets a highly wrought manner is evident from the first line, Stadnicka’s first lines tend to be problem-free while her last lines ask you to encounter a strong resonance, often connected to disasters such as car crashes.’

A stack of Winter poetry 2021

Peter Riley: ‘The magazine is sharply concerned with the possible inherence of racism in “white” writing, which is a treacherous ground for an octogenarian (of any colour) to venture on. You need to sweep the ground before you with a mine detector.’

September 2023 · Some Principal Articles.

♦ I. Eric Mottram: A Fortnightly Dossier, compiled by Simon Collings. A Notebook of Materials Made under Stress. As editor of Poetry Review (1971–77), Eric Mottram played a major role in introducing British audiences to what was happening in American poetry, wrote a pioneering book on Allen Ginsberg, and authored the first critical study on […]

Submission guidelines.

Notes to Contributors. The current co-editors of The Fortnightly Review’s New Series are Denis Boyles (managing) and Alan Macfarlane. Please see this page for details concerning the Fortnightly’s contributing editors who are often asked to provide advice on submissions. Please see this page if you wish to subscribe or otherwise contribute to the support of The Fortnightly Review. The […]

The Cavalcantine Lure.

And Six More Poems. By TIM DOOLEY. . The Cavalcantine Lure. A PRETTY FACE, the very heart of reason, the expert’s dry indifference to rank, the song of birds and lovers’ reasoning and boats lit all along the southern bank. Purest air; dawn’s first whitest hour and white snow falling where there is no wind, […]

Typesetters’ delight, those little blocks of text.

Simon Collings: ‘So what might be some of the factors which have contributed to recent changes in British prose poetry? One important element, as David Caddy points out in his overview chapter, is that since the 1960s there has been an active community of poets working in prose formats, their practice influenced by developments in American and European poetry. ‘

Lorenzo Calogero and other poets in translation.

Peter Riley: ‘By 1945 Calogero had got himself into a fairly dreadful state of hopelessness and was comforted only by his distance from the demands and rewards of urban centrality, in a pastoral location which to him was more real than the university or the state.’

The Fortnightly Reviews: Poetry Notes 2012-2014

‘The aim is, more and more, to find a way of saying exactly what is happening in all this strange modern poetry, without resorting to the short-cuts available in pseudo-scientific vocabularies, and to come at some notion of the worth of the activity only by this route.’ — Peter Riley For more than 50 years, […]

Northern poetry: From on high and from the tall grass.

Peter Riley: With Motion and Armitage, ‘We are really among the high-flyers…the rich and powerful of the poetry world, who preside over us from on high, secure in their top jobs, everywhere honoured and praised. There are not many of them — a dozen or so — and their careers are all much the same, though they do not all get the laureateship. Very few outside this elite bunch would ever have one of their poems mounted on the side of a building or engraved on a moorland boulder — it is a sign of their exceptional status…’

In the future, ‘the rise of bloodthirsty brotherhoods’ and ‘the total eclipse of all values’.

Tom Wolfe: ‘Nietzsche predicted all of this, he said, when he had his famous—probably the most famous statement ever in modern philosophy—’God is dead’. Which was not an Atheist manifesto, although he was Atheist, it was a warning. He said that educated, well-to-do people—he’s talking about Europe—no longer believe in God. And the result is not going to be what you think.’

The Editors and Contributors.

Denis Boyles PhD | l’Institut Catholique d’Etudes Supérieures, political science and journalism faculty; teaching fellow, Chavagnes Studium. Co-editor and managing editor of The Fortnightly Review; editor, Odd Volumes. Denis Boyles is a critic, university lec­ture­r, jour­­nalist and editor. He is the author of African Lives, Design Poetics, A Man’s Life and many other books. His […]

On the Difficulty of Reading Susan Howe’s

Articulation of Sound Forms in Time ◊ By Peter Middleton.   hat is the “fate of difficulty in the poetry of our time”? Charles Altieri and Nicholas Nace gather the thoughts of twenty-six leading poetry critics on this question, each of them discussing the issue in relation to a single recent poem. It’s a fascinating […]

Kent Journal.

Eric Mottram: Between January 3 and April 1 1974 I went to America for the sixth time. On my way to holding classes at Kent State University…’

Models.

Anthony Rudolf: ‘Posing for months on end for one statuette, with great pride and high hopes that it would be completed and cast and displayed in a glass case, Pauline watched the artist desperately try to improve and complete it. No such luck.’

The Beatles: Yeah x 3.

Alan Wall: ‘So cataclysmic were the changes, that we cannot re-think ourselves into a history without the Beatles. If the Stones really were an alternative, they were an alternative that couldn’t have evolved the way they did without the Beatles. They even recorded their compositions.’