Robert Coover: as for the children they wished him dead they wished the birds dead the old man dead
the bread dead all that was easy what was dead they swung in the swings had fights ran
Stephen Wade: Literary rejection before the invention of slips | Hi-ho: The Work Programme by Ian Bourn | James Gallant: Variations on a theme by Otto Rank | Lawrence Markert: Four ‘ad-libs’ for John Berryman | Gilbert Thomas on Shelley, the ‘divine poet’ | Five poems by Gëzim Hajdari, translated by Ian Seed | A cluster of Vignettes by Iain Britton | A Partita for solo violin by Ruby Turok-Squire | The ‘awkwardness’ of Denise Riley, a review by Peter Riley |Two Vilanelles by Zainab Ismail | Hefted, a prose-poetry ag-drama by Gary Evans | Alan Wall: The ‘mental engineering’ of Ludwig Wittgenstein | Anthony Howell reviews The Poems of Basil Bunting | Modernity and metaphysics, by James Gallant | Stephen Wade’s Literary Rejection File: cut with a dull blade! | Peter Riley’s extended essay on poets in translation continues with Calogero, Anedda and Rilke | Alan Wall on Irony and Ironists | David Nowell Smith reviews Imran Qureshi in Cornwall | Stephen Wade with the third item in his melancholy series of Literary Rejections: Gigs Gone Wrong | Peter Riley reviews three books by Ilhan Berk | QV: Robert McHenry looks up ‘Chinese metaphysics’ | Ruby Turok-Squire: Two poems | Dossier: Ferdinand Brunetière, with essays by Erik Butler and Yetta Blaze de Bury and an ebook by Elton Hocking | Ian Seed: New York Hotel and five more short fictions | Nigel Wheale on Ben Lerner: Quixote on the Brooklyn Bridge | Harry Guest: Quitting teaching after 37 years | Hell…and its abolitions by Alan Wall | Brent Ranalli on Lessons from Native Americans on the division of labor | Winétt de Rokha: Three poems in new translations by J. Mark Smith | Stephen Wade’s Philosophy of Literary Rejection | Ed Simon on Richard Barnfield | The Obscure Charms of Mme Blavatsky by James Gallant | Anthony Howell on the enigma of the prose poem | E. Grant Duff on Balthasar Gracian | Bram Stoker on Dead Heads | Mark Jones on Samuel Palmer’s contentious son | Stephen Wade’s Rejected! A grim personal file | Alan Wall on Walter Benjamin and Surrealism | James Gallant on Francesco Roberto’s diaries | The interview as text and performance by Richard Berengarten and John Dillon | Shrinking cities and Small station by Alan Zhukovski | Six new poems by Lewis Oakwood | Robert McHenry: The art of the cross-reference. | Ian Seed leads A dozen ‘Italian Lessons’ | Alan Wall: Walter Benjamin and notes for the end of time | Peter Riley on the poets of serenity | James Russell: Great Balls of Fire and Buttercup | Thomas Kebbel: Two essays to mark Jane Austen’s 240th birthday | David Nowell Smith: Peter Lanyon’s gliding paintings at the Courtauld | ‘Y’, a sequence of poems by Pierre Voélin, translated by John Taylor | William Drummond’s poetic asprezza by Anthony Howell | Roger Scruton and ‘the nonsense machine’ by Michael Blackburn | The once-settled science of Materializations by James Gallant. |
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Kate Hoyland: Inventing Asia, with Joseph Conrad and a Bible for tourists.
Who is Bruce Springsteen? by Peter Knobler.
Martin Sorrell on John Ashbery’s illumination of Arthur Rimbaud.
The beauty of Quantitative Easing.
Prohibition’s ‘original Progressives’.