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Index: Poetry & Fiction

Hung particles.

Iain Britton: ‘night illuminates a fresh complexion. water spouts up & pierces the sky
skittling groups of stars. a thermal mist dissolves. people stare at geysers
fuming from rocks.’

Three poems from ‘Sovetica’.

Caroline Clark: ‘In the winter
there was Captain Vrungel,
The Life and Adventure of
Four Friends—about dogs,
and Guest From the Future…’

‘Contra Mortem’ and ‘Journey to a Known Place’.

Stephen Wiest: ‘Publishing mostly with small presses, and avoiding academia until he was almost 60, his concerns for the poor, rural life, inequality and loneliness became the central subjects of his work. Well regarded for technical mastery of the many forms and modes of his poetry, and never settling on a particular voice, he called his style “miscellaneous”.’

Three gardens and a dead man.

Khaled Hakim: ‘this singing is a Brooderz whale tracking sardeenes a ded metafor in mysteerius deeps/did yoo tel me – This is dedd – yes its dedd, deed as Anglo Saxon’

‘Easter in Pittsburgh’ and other poems.

This recording is one of several made by poet Stephen Wiest and Denis Boyles in 1967 on a recording tour that also included sessions with Hayden Carruth, Paul Zimmer and Elliott Coleman.

Poems from ‘The Messenger House’.

Janet Sutherland: ‘During the second journey they met Captain Spencer, a travel writer, who had just emerged from Quarantine having inadvertently crossed and re-crossed a border in dense woodland. Captain Spencer writes about meeting Davies and Gutch in one of his travel books. I loved the roundness of reading both their accounts, something I hadn’t expected to find when I first read the family journals.’

As large as a typo: Two poems.

Pete Smith: ‘Been smoking all morning, I have;
scared if I stop the roses will hug me
and gag me with thorns and wet petals…’

From ‘Fulmar’s Wing’.

Jeremy Hilton: ’20 giraffes tall in a truck ferried in groups of
seven across the river Nile two
wheatears rest on a lonely hilltop a crossroads
appears twice in the mythical mind’

Eugene Dubnov, 1949–2019.

Anne Stevenson: ‘I suspect it was this personal, Romantic, very un-English sense of an enduring or eternal existence underlying Dubnov’s intense preoccupation with his own life that rendered his work inaccessible to many of his ‘post-modern’ contemporaries. His poems, however, convinced me that our mutual translations deserved an English publisher.’

One poem and one prose poem.

David Hay: ‘I have lived longer now than I ever knew you. Your voices are lost in the sharp darkness of puberty — those cruel years of useless angst I survived with a well-rehearsed yawn and Kurt Cobain’s broken-glass scream, thinking constantly of death.’

Four Poems from ‘Lectio Violant’.

Steve Ely: ‘”Lectio Violant” — ‘profane reading’ — is the name I’ve coined to describe this process, alluding to Lectio Divina — ‘divine reading’ — the long-established Catholic practice of devotional reading, the purpose of which is to draw the reader closer to God by enabling a fuller experience of scripture. I’m not sure this book’s doing the same thing, although you never know.’

Seven small fictions.

Ian Seed: ‘Free now, I wondered where I could live without being thought of as useless and strange. Perhaps in Rome I would find work explaining to foreigners the meaning of pictures for sale along the river embankment, some of which had been painted by an Italian friend before we lost touch.’

Bird of Four Tongues.

By MANASH FIRAQ BHATTACHARJEE .  For Abdur Rahim Khan e Khana’n. OUR MANY TONGUES encircle your tomb Like birds, chirping differently. Their colours Make the blue burst into wings. You Wrote for all the gods you knew. In poetry, You built a neighbourhood of faith. Who else but you, who went to war, and wove […]

The Perturbation of Baruch.

Anthony O’Hear: ‘This linking of the cosmic with the temporal, of the elevated with the lowly and the demotic, even the sordid, and of the well-intentioned with the ill-thought out, even the evil, permeates Baruch as it does much of Hill’s later work.’

Blame It on the Rain.

Michael Buckingham Gray: ‘He sweeps his foot back and forth in the mud, and with every new blare of the horn, prods his bicycle forward until there are no more cyclists ahead. Pulls the helmet off the handlebars and puts it on his head. Throws a leg over his bike. Then stomps on the pedals. His front wheel kicks sideways on the first turn. And in the second, he slides the rear of his bicycle.’