Michelene Wandor: These [stories by Malika Moustadraf] are harrowing; sexual prejudice and violence; unwilling prostitution; marital misery; cruelty to children and animals; the detritus and chaos of the domestic and urban environment, with cockroaches and decaying food.’
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About KU’s Trollope Prize.
1. On the spirit of poetry in a time of plague by Richard Berengarten
2. More trouble with genre. Markku Nivalainen in conversation with Simon Collings
3. Plum Pudding books: Anthony Howell reviews Michael Hampton and Marius Kociejowski
4. Why I am not a philosopher, or The Annoyances of Philosophy, by Alan Wall.
5. ‘oracle’ and ‘Mary Does Laugh’. By Kate Ashton
6. Of Peace and Strife by W.D. Jackson, illustrated by Alan Dixon. A verse-column
7. J’accuse…injustement, Anthony Howell considers Stephen Glascoe’s account of being falsely accused
8. Passion, framed by silence. Michelene Wandor reviews James Runcie.
9. The Hills and the Desert: Claude Vigée and Edmond Jabès, by Anthony Rudolf.
10. ‘A Way to Dismantle’ and four more poems by Ion Corcos.
…and much more, below in this column.
Audio archive: Two poems, with an audio track, from Heart Monologues by Jasmina Bolfek-Radovani | Daragh Breen’s Aural Triptych | Hayden Carruth reads Contra Mortem and Journey to a Known Place | Anthony Howell reads three new poems | James Laughlin reads Easter in Pittsburgh and five more | Peter Robinson reads Manifestos for a lost cause, Dreamt Affections and Blind Summits
Previously: More below. Scroll down.
New to The Fortnightly Review? Our online series, with more than 2,000 items in its archive, is more than ten years old! So, unless you’re reading this in the state pen, you may never catch up, but YOU CAN START HERE: Four short texts by Jeff Friedman | Hacheston Halt by John Matthias | Disinterest and Aesthetics Pt 1/Pt 2 by Tronn Overend | Out of the house and into the business district by Martin Stannard | We need to talk about Vladimir, by Jonathan Gorvett | Two new poems by Fred Johnston | Several dwarves and one pet by Meg Pokrass The wheel in the tree: An appreciation of Penguin Modern Poets 12. By Ian Seed | Wonder Travels: a memoir by Josh Barkan | Five poems from Fire by Jaime Robles | Three instructive texts by Rupert M Loydell | On John Wilkinson’s ‘Wood Circle’, by Rupsa Banerjee | The Ringstead Poems by Peter Robinson. With an afterword by Tom Phillips | From Dialyzing: poetry by Charline Lambert. Translated by John Taylor | The O.E.D Odes by Lea Graham | Demarcation and three more poems, by Pui Ying Wong | What are poets for? Alan Wall on Nathaniel Tarn’s Autoanthropology | Martyrdom. Anthony Howell on the Russian invasion of Ukraine | Bard-think: Anthony O’Hear on teaching with Shakespeare | The Pleasure of Ferocity: A review of Malika Moustadraf’s short stories. By Michelene Wandor | Pastmodern Art. By David Rosenberg | Central Park and three more new poems. By Tim Suermondt | What Is Truth? By Alan Macfarlane | The Beatles: Yeah x 3. Fab books and films reviewed by Alan Wall | The Marriage by Hart’s Crane of Faustus and Helen by John Matthias | Young Wystan by Alan Morrison | Nothing Romantic Here. Desmond Egan reviews Donald Gardner | Parisian Poems, by César Vallejo, translated by César Eduardo Jumpa Sánchez | Two sequences of poems by David Plante, introduced by Anthony Howell | Apichatpong Weerasethakul’s Big Noise in the Night: Film commentary by Simon Collings | Gli Ucelli and two more poems by Michael Anania | Interior and three more prose poems by Linda Black | For Britney (or whoever) by Fran Lock | The wages for reading is rage: Reflections on the Book Revolution in Texas. By Christopher Landrum | Selfies by Rupert M Loydell | The Loves of Marina Tsvetaeva by C.D.C. Reeve | My Mother’s Dress Shop by Jeff Friedman | The Bride’s Story. Grimms’ No. 40. An elaboration by W. D. Jackson | Poetry Notes: Early titles for 2022, by Peter Riley | Short Icelandic Fiction: Fresh Perspective (Nýtt sjónarhorn) by Aðalsteinn Emil Aðalsteinsson and The Face and Kaleidoscope by Gyrðir Elíasson | Exercises of memory: Prose poetry by Adam Kosan | Species of light and seven more poems by Mark Vincenz | Two Micro-fictions by Avital Gad-Cykman | Pictures, with Poems: A two-generation collaboration. Photographs by Laura Matthias Bendoly, with poems by John Matthias | In Famagusta, a revisit by Jonathan Gorvett | Shakespeare’s Merchant by Oscar Mandel | Toughs by Anthony Howell | Holding the desert, a sequence of poems by Richard Berengarten | Two pages by Michael Haslam | Contusion not Rind by Peter Larkin | Four poems by Katie Lehman | Blind summits, a sequence of poems with an audio track, by Peter Robinson | The Censor of Art by Samuel Barlow | Small Magazines, and their discontents (as of 1930) by Ezra Pound | Modern Artiques by Robert McAlmon | Two poems, with an audio track, from Heart Monologues by Jasmina Bolfek-Radovani | Blavatsky in violet: poetry by Alan Morrison | Everything that is the case: A review of John Matthias’s Some of Her Things by Peter Robinson | Khlystovki by Marina Tsvetaeva, newly translated by Inessa B. Fishbeyn and C. D. C. Reeve | A king and not a king, a poem by W. D. Jackson | Violet, an essay by John Wilkinson :: For much more, please consult our partial archive, below on this page.
2011: Golden-beak in eight parts. By George Basset (H. R. Haxton).
2012: The Invention of the Modern World in 18 parts. By Alan Macfarlane.
2013: Helen in three long parts. By Oswald Valentine Sickert.
2016: The Survival Manual by Alan Macfarlane. In eight parts.
2018: After the Snowbird, Comes the Whale, by Tom Lowenstein.
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LONDON
Readings in The Room: 33 Holcombe Road, Tottenham Hale, London N17 9AS – £5 entry plus donation for refreshments. All enquiries: 0208 801 8577
Poetry London: Current listings here.
Shearsman readings: 7:30pm at Swedenborg Hall, 20/21 Bloomsbury Way, London WC1. Further details here.NEW YORK
Time Out’s New York listings here.
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By Roger Berkowitz, Juliet du Boulay, Denis Boyles, Stan Carey, H.R. Haxton, Allen M. Hornblum, Alan Macfarlane, Anthony O’Hear, Andrew Sinclair, Harry Stein, Eugène-Melchior de Vogüé, and many others. Free access.
· James Thomson [B.V.]
Occ. Notes…
A dilemma for educators:
Philosophy and the public impact.
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Michelene Wandor on Derek Walcott and the T.S. Eliot Prize.
.Nick Lowe: the true-blue Basher shows up for a friend.
More daily in
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Passion framed by silence.
Michelene Wandor: ‘The Great Passion is clearly what we would call a ‘literary’ novel (a tautology! How could imaginative writing be anything but literary?). Useful definitions claim the literary as a novel which doesn’t race along on a plot axis, may be considered ‘serious’, perhaps belonging to ‘high’, as opposed to mass or popular, culture. It may garner prizes, possibly move at a slower pace than, say, a spy novel or a thriller.’