Anthony Howell: As with any popular mass rally there’s an infectious excitement, and a sheer childish delight in the chiaroscuro of dark and light moods and bright or sombre costume. One school merges into another in the mind. Neptunes abound. Faces fall off and disappear into stomachs and then reappear.
Jesse Mullins: The American frontier forged American character. It might not be going too far to say that the appearance of the cowboy in the late 1800s marked the culmination of the protracted process that yielded the quintessentially American character.
Myra Sklarew: The Bly of Reaching Out to the World is a presence, a powerful force, all hints and subtleties gathered up into an enormous bouquet that he and his speaker offer to the world.
Saturday, 26 February 2011
Stan Carey: Albert’s sympathetic listeners needed a reassuring and articulate voice from a figure of moral authority – a “symbol of national resistance”, as the end credits assure us he became. Indeed, the film can be read as a study of our relationships with symbols. We are what Terrence Deacon called the symbolic species, and our symbols can inspire fear as naturally as confidence.
Anthony Howell: The body moves forward and back more in gafieira; the weight changes are exaggerated, and the partner sways with you, and I have to get the ‘step-replace step, step-replace step’ going, understanding that there is a this-side-then-that-side symmetry to the dance that again is different to the tango.
Saturday, 5 February 2011
Anthony O’Hear: Does The Iliad really give us a picture of the Greeks as happy polytheists, or is it providing foundations of Aeschylean tragedy (as Aeschylus himself said), and even in some ways anticipating elements of Christianity, as Simone Weil thought? Then again, there is indeed a tension, as Dreyfus and Kelly say, between Platonism and Incarnational Christianity, but why can the transition to Christianity, as memorably described by Augustine in The Confessions, not be seen as an intellectual and moral advance?
Wednesday, 26 January 2011
Roger Berkowitz: Sherry Turkle’s incisive and provocative new book, Alone Together: Why We Expect More from Technology and Less from Each Other, vividly articulates the ways that our embrace of technology evidences our discomfort and dissatisfaction with our human selves.
Thursday, 20 January 2011
Andrew Mitchell: There was the dinner, long after the break-up of their friendship, where both Wordsworth and Coleridge were present, one at either end of the dining table. Crabb Robinson eavesdropped on both conversations, Wordsworth was quoting his own poems, Coleridge was quoting Wordsworth.
Martin Sorrell: I wonder if purists work on the principle, which may or may not be unconscious, that there is one ideal translation for every poem, which, once attained, will put paid to the need for all others. On the other hand, is it that the translator who goes for versions is a relativist who can live with imperfection? Fabulous things have come out of the latter position. Wasn’t the King James Bible translated by a committee of relativists? Some purists say that if you want the truth, you’ll have to go back further, to the Hebrew and Greek.
Thursday, 9 December 2010
John Derbyshire: Down in the subatomic realm, each of the particles that constitute matter is smeared out over a volume of space in a manner described mathematically by a “wave function.” When an observer interacts with this wave function by taking a measurement, the wave function suddenly manifests as a particle with a position and speed to which numbers can be assigned. It ceases to be a quantum-mechanical phenomenon and becomes a “classical” one.
Saturday, 20 November 2010
W. J. Lawrence: Plague had occasioned the closing of the playhouses in July 1608 and, save for a few days at Christmas, acting was not permitted again till late in November of the following year. One result of this, it would seem, was that Shakespeare, no longer a player and wearied out by his spell of corrosive inaction, retired for good to Stratford-on-Avon, thenceforth only taking occasional trips to town to bring his old associates a new play and to receive from them his dividends as “housekeeper.”
State of Emergency: Britain 1970-1974. It was four dozen months in which Britain lost the Beatles, but gained Edward Heath. It certainly seemed to be an out-of-balance moment. But culturally, it may have been, as one of our reviewers writes, a ‘golden age’. Twin reviews by Anthony Howell and Michelene Wandor.
Allen M. Hornblum: Little more than a last-gasp attempt to prop up the dispirited and dwindling Rosenberg forces, Final Verdict (barely 200 pages, with only 22 footnotes) promises “a surprising new narrative of the case” and one that actually “stands on its head” what the Schneirs and “millions of others formerly believed.”
Thursday, 16 September 2010
Eugène-Melchior de Vogüé: It would have taken me some time to form a judgement had I not suddenly had a vision of that life, born in a hospital, brought up in misery, in sickness, in pain, to be continued in Siberian prisons, in the barracks; ever pursued by want and moral distress, always being crushed and yet ennobled by the work of a – Redeemer. Then I understood that this persecuted soul escaped all known standards…
Roger Berkowitz: A new urgency has energized those who welcome and those who fear the power of man to transform his nature. While hopes of technological utopias and fears of technological dystopias may be part and parcel of the human condition itself, we are living through a moment when extraordinary technological advances are once again raising the question of what it means to be human.
