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About KU’s Trollope Prize.
1. Central Park and three more new poems. By Tim Suermondt
2. The Pleasure of Ferocity. A review of Malika Moustadraf’s short stories. By Michelene Wandor
3. Pastmodern Art. By David Rosenberg
4. What Is Truth? By Alan Macfarlane
5. The Beatles: Yeah x 3. Fab books and films reviewed by Alan Wall
6. Two sequences of poems by David Plante, introduced by Anthony Howell
7. The Marriage by Hart’s Crane of Faustus and Helen by John Matthias
8. Young Wystan by Alan Morrison
9. Nothing Romantic Here. Desmond Egan reviews Donald Gardner
10. Parisian Poems, by César Vallejo, translated by César Eduardo Jumpa Sánchez.
…and much more, below in this column.
Audio archive: Two poems, with an audio track, from Heart Monologues by Jasmina Bolfek-Radovani | Daragh Breen’s Aural Triptych | Hayden Carruth reads Contra Mortem and Journey to a Known Place | Anthony Howell reads three new poems | James Laughlin reads Easter in Pittsburgh and five more | Peter Robinson reads Manifestos for a lost cause, Dreamt Affections and Blind Summits
Previously: More below. Scroll down.
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2011: Golden-beak in eight parts. By George Basset (H. R. Haxton).
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Occ. Notes…
A dilemma for educators:
Philosophy and the public impact.
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Michelene Wandor on Derek Walcott and the T.S. Eliot Prize.
.Nick Lowe: the true-blue Basher shows up for a friend.
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Anthony Howell: The new libertine in exile.
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Kate Hoyland: Inventing Asia, with Joseph Conrad and a Bible for tourists.
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Who is Bruce Springsteen? by Peter Knobler.
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Martin Sorrell on John Ashbery’s illumination of Arthur Rimbaud.
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The beauty of Quantitative Easing.
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Prohibition’s ‘original Progressives’.
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European populism? Departments
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On Richard Berengarten’s ‘The Manager’.
A Fortnightly Critical Dossier
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Edited by
Paul Scott Derrick.
Anthony Walton: Disorganization Man. First, reading the book through a socio-political lens, Anthony Walton places The Manager in the context of various business models that were in vogue in the culture at the time of its composition. Frederick Winslow Taylor’s Principles of Scientific Management, as well as John F. Welch’s radical management style in the 1980s form the background for a discussion of the forces leading to the collapse of Charles Bruno’s life and the terms of his redemption.
A Robert Lee: He Do The Different Voices. A. Robert Lee deals with the rich cornucopia of speech acts, dialects, conversation and languages that make up Berengarten’s poem and considers its ambiguous relationship with the Modernist aesthetics of Eliot. Lee reads the poem as a complex riposte to the voices that reverberate through The Waste Land. How does it respond, react, echo, call back to Eliot? And how does Berengarten’s choral recall expand the sense of his Modernist predecessors?
Kay Young: “On her promise of recognition”: Intersubjectivity and Richard Berengarten’s The Manager. In the third essay, Kay Young argues that one of the keys to the success of The Manager is Berengarten’s creation of what she calls a “zone of intersubjectivity”. In a close reading of Section 81, she elucidates a crossing-over between the reader and the poem through which we share in the protagonist’s thoughts and hopes and witness how they are transformed over time.
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Paul Scott Derrick is a Senior Lecturer in American literature at the Universitat de València in Spain. He is co-editor, with Norman Jope and Catherine E. Byfield, of The Companion to Richard Berengarten (UK) (Shearsman, 2016) and, with Viorica Patea, co-translator of Ana Blandiana’s My Native Land A4 (UK) (Bloodaxe, 2014). His critical essays, translations and poems have appeared in many print and electronic journals in Europe and the U.S.
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Publication: Saturday, 23 September 2017, at 10:56.
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