-
-
Mariangela
Ian SeedThree texts
Rupert M LoydellVessel
Melita SchaumSome Guts
Simon Collings (with collages by John Goodby)Three Short Fictions
Meg PokrassThe Campus Novel
Peter RobinsonCharlie Boy and Captain Fitz: A One-Act Play
Alan WallSnapshot, Sachsenhausen and three more poems
Peter BlairSeven short poems
Lucian Staiano-DanielsFour prose poems
Olivia TuckThe Back of Beyond and two more prose poems
Tony KittTwo poems
Moriana Delgadofrom Reverse | Inverse
Lucy HamiltonSix haibun
Sheila E. MurphyKingfishers and cobblestones and five more new poems
Kitty HawkinsZion Offramp 76–78
Mark ScrogginsCome dancing with me and two more new poems
Marc VincenzPlease swipe right
Chloe Phillips‘Three Postcards’ and a prose poem
Linda BlackStill life
Melita SchaumIn memory of
John Taylor with drawings by Sam ForderImmortal wreckage
Will StoneNew in Translation
Snowdrifts
Marina Tsvetaeva, trans. by Belinda CookePoems from Prière (1924)
Pierre Jean Jouve, trans. by Will StoneSix prose poems
Pietro di Marchi, trans. by Peter RobinsonThe goddess of emptiness.
Jean Frémon, trans. by John Taylor -
A new Review of John Matthias’s Some Words on Those Wars by Garin Cycholl.
Anthony Howell’s review, A Clutch of Ingenious Authors: Michelene Wandor Four Times EightyOne: Bespoke Stories | Annabel Dover Florilegia | Sharon Kivland Abécédaire
Essays by Alan Wall
· ‘King of Infinite Space’: The Virtue of Uncertainty
· AI: Signs of the Times
· The Lad from Stratford
· Stanley Kubrick: Sex in the CinemaWill Stone’s Missing in Mechelen and At Risk of Interment
G. Kim Blank’s Civilizing, Selling, and T. S. Eliot Curled Up behind the Encyclopædia Britannica
Tronn Overend’s Samuel Alexander on Beauty
AND Conor Robin Madigan’s Master Singer, Simon Collings’s Robert Desnos, Screenwriter, and Igor Webb’s Never Again
Simon Collings, Carrying the past: The Afterlight by Charlie Shackleton.
New Fortnightly Serials
from The Runiad
Anthony Howellfrom White Ivory
Alan Walland much more below this column.
Departments
-
Contact the Editors here.
-
Audio archive: Two poems, with an audio track, from Heart Monologues by Jasmina Bolfek-Radovani | Daragh Breen’s Aural Triptych | Hayden Carruth reads Contra Mortem and Journey to a Known Place | Anthony Howell reads three new poems | James Laughlin reads Easter in Pittsburgh and five more | Peter Robinson reads Manifestos for a lost cause, Dreamt Affections, Blind Summits and Oblique Lights
Previous Serials
2011: Golden-beak in eight parts. By George Basset (H. R. Haxton).
2012: The Invention of the Modern World in 18 parts. By Alan Macfarlane.
2013: Helen in three long parts. By Oswald Valentine Sickert.
2016: The Survival Manual by Alan Macfarlane. In eight parts.
2018: After the Snowbird, Comes the Whale, by Tom Lowenstein.
LONDON
Readings in The Room: 33 Holcombe Road, Tottenham Hale, London N17 9AS – £5 entry plus donation for refreshments. All enquiries: 0208 801 8577
Poetry London: Current listings here.
Shearsman readings: 7:30pm at Swedenborg Hall, 20/21 Bloomsbury Way, London WC1. Further details here.NEW YORK
10 reliable poetry venues in NYC.
· The funeral of Isaac Albéniz
· Coleridge, poetry and the ‘rage for disorder’
· Otto Rank
· Patrons and toadying · Rejection before slips
· Cut with a dull blade
· Into the woods, everybody.
· Thought Leaders and Ted Talks
· How Mary Oliver ‘found love in a breathing machine.’
AND read here:
· James Thomson [B.V.]
A dilemma for educators:
Philosophy and the public impact.
.
Michelene Wandor on Derek Walcott and the T.S. Eliot Prize.
.Nick Lowe: the true-blue Basher shows up for a friend.
Anthony Howell: The new libertine in exile.
Kate Hoyland: Inventing Asia, with Joseph Conrad and a Bible for tourists.
Who is Bruce Springsteen? by Peter Knobler.
Martin Sorrell on John Ashbery’s illumination of Arthur Rimbaud.
The beauty of Quantitative Easing.
Subscribe
0 Comments
Jody Stewart’s momentary world.
A Fortnightly Review.
This Momentary World
by Jody Stewart
Nine Mile Art 2022| 160 pp | $16.00 (paper) £7.19 (Kindle only)
By ANTHONY HOWELL.
•
JODY STEWART’S POEMS are not to be trusted. This becomes clear when reading This Momentary World, her selected poems, just published in a generously sized volume by Nine Mile Books in the US. Living on a farm in Western Massachusetts, where she looks after pets abandoned by divorce and ancient emus and retired camels, this seems at first glance a bouquet of perfectly harmless verses: lyrical examples of East Coast pastoral. We might expect her words to provide us with a refuge, comfortable comfort – just what poetry is meant to provide surely?
Certainly the language is honed, musical, refined in its precision. Take ‘Cascades’:
So far so good, we feel we can relax, but then the poem seems to twist away from comfort, for it goes on:
It’s the ‘mutual distrust’ that shifts this poem from a comfortable context into an uneasy one with an abrupt, modernist shift from third to first person. Later, a red leaf ‘smacks into the drainpipe’. The verb is harsh. The poem is emerging from its dark nebula. The reader can no longer be reassured that this is poetry in an unquestioning pastoral setting that will never disturb. All too often the lyrical veneer fades away and a far more savage reality takes us by surprise. Here is ‘They Are Breaking up the House’:
So the lyrical is offset by the tragic or the meagre or the violent. As with much seriously good writing, there is a conflict within the poem – which may be resolved or which may remain unresolved, simply there; there in the grain of the poetry whose resonance may take us where its meaning cannot reach.
—’Just Visiting’
These are poems of today’s USA, where the dream has led to vagrancy.
These are poems of today’s USA, where the dream has led to vagrancy. Stewart’s writing has been compared to that of Elizabeth Bishop, with justification. I am also reminded of the poems of Jean Garrigue, where a similar reality impinges on the lyrical, and Stewart’s writing merits these comparisons because of the authenticity of her craft, her poetic magic and her ability to switch direction. There is a European aspect as well. In several poems I am reminded of the visionary poetry of Georg Trakl. For Stewart is an imagist who enables us to see her dreams with our own eyes.
♦
ANTHONY HOWELL, a former dancer with the Royal Ballet, was founder of The Theatre of Mistakes and performed solo at the Hayward Gallery and at the Sydney Biennale. His articles on visual art, dance, performance, and poetry have appeared in many publications including Art Monthly, The London Magazine, Harpers & Queen, The Times Literary Supplement. He is a contributing editor of The Fortnightly Review. In 2001 he received a LADA bursary to study the tango in Buenos Aires and now teaches the dance at his studio/gallery The Room in Tottenham Hale. He is the author of a seminal textbook, The Analysis of Performance Art: A Guide to Its Theory and Practice. Details about his collaborative project, Grey Suit Online, are here. In 2019, his exploration of psychic chaos, Multilation (with Consciouness), was published by the Fortnightly’s imprint, Odd Volumes. His latest collection is From Inside (The High Window).
Related
Publication: Thursday, 11 May 2023, at 10:55.
Options: Archive for Anthony Howell. Bookmark the permalink. Follow comments here with the RSS feed. Post a comment or leave a trackback.