Skip to content

Yearly Archives: 2018

A plea for decorum.

Michael Blackburn: ‘Call me Mr Cynical but I suspect Magid’s real passion is for himself, and he doesn’t appreciate the fact that the position of Mayor is something of itself and nothing to do with his own ego. A bit more decorum would serve him better and prevent what I believe will be the reaction to his posturing when he has left the post, namely embarrassment.’

Somewhere else.

Simon Collings: ‘Basildon, or ‘Baz’ as it’s referred to by locals, wasn’t meant to be like this. The vision for Britain’s post-war ‘New Towns’ described prosperous and happy communities – places of architectural and natural beauty which would, it was hoped, create a better type of person. The gap between the political vision, and the reality as recounted by local residents, is huge. This is the focus of New Town Utopia, a new documentary feature by Christopher Ian Smith. ‘

All that is good for us.

Nick O’Hear: ‘This then is the battleground. Power has steadily been wrested from individual nations and concentrated in the EU Commission and Council of Ministers. The people of Europe don’t like this much more than the British do. It is not as though Brussels is giving us a healthy diet of economics and social justice. Policies on migration and the Euro have been ruinous for some nations. It is about time we all followed the Swiss and allowed the people to decide.’

A short history of an always-growing national debt.

Nick O’Hear: ‘The main current issue is not that the national debt is too large, but that it is growing in a time of peace and prosperity. The argument revolves around the need for austerity and a more Keynesian view that we should invest for growth. Martin Slater points out that even Keynes believed in restraint.’

Shame and shamelessness.

Anthony Howell: ‘We should remind ourselves that, while artists may represent horrors – think of Hieronymus Bosch – they should not be accused of endorsing the horrors they reveal. Everything is imaginable. In the words of André Gide, one must dare to be oneself. Why should an angry sense of shame provoke us into trashing artists for revealing nightmares?’

Pierre Loti.

Henry James: ‘The closer, the more intimate is a personal relation the more we look in it for the human drama, the variations and complications, the note of responsibility, which the loves of the quadrupeds do not give us. Failing to satisfy us in this way such a relation is not interesting, as Mr. Matthew Arnold says of American civilization. M. Pierre Loti is guilty of the perpetual naïveté (and there is a real flatness of repetition in it) of assuming that when exhibited on his own part it is interesting.’

Permanently Uncanonical.

Nigel Wheale: ‘Schwabsky describes Denise Riley as ‘one of the finest writers of the English language; along with the late Anna Medelssohn [“Grace Lake”] (like Riley born in 1948)’. He relates her to the group of poets that followed on from ‘the remarkable generation born in the later 1930s, of whom Lee Harwood, J.H. Prynne and Tom Raworth may be the other most salient names’.’

Doing silly on the equinox.

Nigel Wheale: ‘The Faction’s Dream is a dream, because each element is as compelling as another. But there is an angle. Tamarin McGinley’s Hippolyta gives ‘I was with Hercules and Cadmus once’ with a winky glance to audience. ‘

The Horror of the Patriarchy.

Michael Blackburn: ‘This message, repeated so often that it has become one of those pseudo-truths beloved of the media, is always produced without scientific evidence; just as there is no scientific evidence that getting men to open up emotionally all the time results in better psychological health for them.’

Mr James, Miss Bosanquet, her palpitations.

Pamela Thurschwell: ‘Bosanquet’s interactions with [Henry] James and his family at the end of his life, are often touched with a sense of insecurity about her place in the household. The intimacy with the secretary, keeper of an author’s words, can be a strange and intense one…’

After the Snowbird, Comes the Whale, Pt 4 Sec 1.

After the snowbird, comes the whale pt 4, sec 1: Once we had been briefly introduced to one another, Mrs Charlotte launched her monologue. She didn’t wait for me to introduce myself, but diagnosed, with some impatience, my character and attitude to Native business. Impatient, maybe, to off-load the contents of a split mind, as she saw it, to a likely fellow being.

Birds of the Sherborne Missal.

Elisabeth Bletsoe: ‘Slipping between pleated histories at the lake’s surface, brilliant or dazzling, the coup de foudre. Fortunately falling folded amongst these structures of unmaking, these collusions in perceptual paradox. Stunned by the flashover irrupting capillary walls in arborescent erythema…’

Butchering the language in Rwanda.

Tom Zoellner: ‘Historical arguments about the Rwandan genocide will likely never end, and one source of continuing disagreement is the degree to which the French foreign ministry and and military were complicit in the slaughter in the name of propping up the shaky government. ‘

Artaud in Ireland.

Peter O’Brien: ‘Is it possible, entre-deux-guerres, to be more insightful than to imagine and begin planning for the coming apocalypse from the western precipice of the continent? And is there a safer place in Europe during the years of World War II than a lunatic asylum? Artaud spent the entire span of that second war in various asylums. When France was occupied by the Nazis, various of Artaud’s friends ensured that he was transferred to the psychiatric hospital at Rodez, in south-central France, well inside Vichy territory.’

Into the woods, everybody.

Chloé Hawkey: ‘There is no reason to think that a life that places value in the wild, in the forces of the land and water can’t model ideals of equality and inclusiveness—after all, those forces act on all of us equally. Indeed, being “out there” requires cooperation and kindness toward the group far more than living in the relative convenience of a city does…’