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Yearly Archives: 2016

The Vicars of Bray at their Rubicon.

Michael Blackburn: ‘This is not politics as normal. It is not the same as promising to build more houses then failing to do so, or promising not to raise taxes and then raising them. This is not the kind of promise that can be fudged or dumped. It’s too big for that. Whether we have politicians big enough to understand this and act upon it properly we’ll have to see. But if they want to keep their seats and the trust of the electorate they will have to be our Vicars of Bray and cross the Rubicon, because there’s no turning back.’

Shelley, the ‘Divine Poet’.

Gilbert Thomas: ‘The poet of “The Skylark” was also a prophet; it is because it is of him in that aspect that we most naturally think at this time. In the sight of his own contemporaries he was mad, and even thirty-four years ago Matthew Arnold proclaimed that he was not quite sane. ‘

The Survival Manual | Chapter 1.

Alan Macfarlane: ‘Whether we can, in time, learn how to share and steward our resources, is not certain. It has been done in the past, particularly when it becomes obvious that by forgoing their narrow and short-term gains, humans will benefit, as will their children and children’s children. Casting your bread on the waters – eating less meat, economising on water and car journeys, seriously recycling, all these are small, personal, gestures, but they add up. They already make more sense to many who are increasingly aware that we live in a small, fragile, crowded, planet which is under huge pressure.’

The Survival Manual.

Alan Macfarlane: ‘In this small book I have identified eight challenges which seem particularly acute. In each essay I try to outline, usually through a preliminary historical overview, what I think the heart of the problem is. In other words, where we are now and what our choices are. I then make some suggestions of ways in which we may escape from any traps and tendencies.’

Hijab Jibber Jabber.

Michael Blackburn: ‘One thing we do know as viewers is that those in the media know better than us: we’ve proved ourselves to be racist, xenophobic Islamophobes, and it’s their job to make sure we get a face full of multicultural correctness as often as possible.’

Charmed and privileged hypocrites.

Michael Blackburn: ‘Chakrabarti could not clear herself of the charge of being a hypocrite — because it is not possible. If you are a leftist you live in a permanent state of cognitive dissonance. You know you can’t pontificate about a non-selective, one-size fits all comprehensive-style education for everyone else at the same time as you are sending your own child to a selective school, private or not. But you will do it all the same.’

Mr Dylan Cannot Be Found.

Michael Blackburn: ‘After Dylan there seems little point in writing a poem in any traditional manner. The expression of emotion, the exploration of human behaviour, the search for meaning in the world, the use of narrative, all are done as well in popular song, more memorably and reaching a greater number of people than they are in contemporary poetry. ‘

Wilderness: tamed.

Chloë Hawkey: ‘Now that we don’t have a “frontier,” the American wilderness—or at least an essential protected part of it—has ceased to be a place of the violent work of conquering; it has become a place of meditation. Now that we have no clear sense of a frontier across which to expand, we can finally stand still and see the wonder in what’s around us.’

The History of Art is now history.

Michael Blackburn: ‘If I had my way there would be more classical art and music on the curriculum than there is at the moment. What is truly lacking in modern education is a sense of culture.’

Five poems.

Gëzim Hajdari: ‘The stones along the road are silent,
the bitter grass in the field trembles.
Under a sky always dark
naked, orphan trees.’

Tea and visions for jihadis.

Michael Blackburn: ‘ The Church of England has enthusiastically thrown in its lot with the progressives who attack all of the traditional values of the nation. Conceding legal and religious ground to your opponent is a form of capitulation.’

Vignettes (V)

Iain Britton: ‘Like a juggler | he tosses cloud formations
amongst shifting updraughts | he catches | tosses |
calls them by name | the woman beside him’

Partita for solo violin.

Ruby Turok-Squire: ‘I lean into a passing
note, away
from where it went, circling

the spine’s rod
in a slow wind
I do not feel on my skin.’

Denise Riley and the ‘awkward lyric’.

Peter Riley: ‘Denise Riley’s songs, sung on the most serious and heavy of occasions, offer the brightness of the singing voice worked into extended thoughtfulness as much as into the Fool’s mockery of received versions of existence.’

Two villanelles.

Zanaib Ismail: ‘The dew runs clear as a phantom’s silhouette.
A stigma put this flower in disgrace.
The darkness of my mind snips it.’