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About KU’s Trollope Prize.
1. Central Park and three more new poems. By Tim Suermondt
2. The Pleasure of Ferocity. A review of Malika Moustadraf’s short stories. By Michelene Wandor
3. Pastmodern Art. By David Rosenberg
4. What Is Truth? By Alan Macfarlane
5. The Beatles: Yeah x 3. Fab books and films reviewed by Alan Wall
6. Two sequences of poems by David Plante, introduced by Anthony Howell
7. The Marriage by Hart’s Crane of Faustus and Helen by John Matthias
8. Young Wystan by Alan Morrison
9. Nothing Romantic Here. Desmond Egan reviews Donald Gardner
10. Parisian Poems, by César Vallejo, translated by César Eduardo Jumpa Sánchez.
…and much more, below in this column.
Audio archive: Two poems, with an audio track, from Heart Monologues by Jasmina Bolfek-Radovani | Daragh Breen’s Aural Triptych | Hayden Carruth reads Contra Mortem and Journey to a Known Place | Anthony Howell reads three new poems | James Laughlin reads Easter in Pittsburgh and five more | Peter Robinson reads Manifestos for a lost cause, Dreamt Affections and Blind Summits
Previously: More below. Scroll down.
New to The Fortnightly Review? Our online series, with more than 2,000 items in its archive, is more than ten years old! So, unless you’re reading this in the state pen, you may never catch up, but YOU CAN START HERE: Apichatpong Weerasethakul’s Big Noise in the Night: Film commentary by Simon Collings | Gli Ucelli and two more poems by Michael Anania | Interior and three more prose poems by Linda Black | For Britney (or whoever) by Fran Lock | The wages for reading is rage: Reflections on the Book Revolution in Texas. By Christopher Landrum | Selfies by Rupert M Loydell | The Loves of Marina Tsvetaeva by C.D.C. Reeve | My Mother’s Dress Shop by Jeff Friedman | The Bride’s Story. Grimms’ No. 40. An elaboration by W. D. Jackson | Poetry Notes: Early titles for 2022, by Peter Riley | Short Icelandic Fiction: Fresh Perspective (Nýtt sjónarhorn) by Aðalsteinn Emil Aðalsteinsson and The Face and Kaleidoscope by Gyrðir Elíasson | Exercises of memory: Prose poetry by Adam Kosan | Species of light and seven more poems by Mark Vincenz | Two Micro-fictions by Avital Gad-Cykman | Pictures, with Poems: A two-generation collaboration. Photographs by Laura Matthias Bendoly, with poems by John Matthias | In Famagusta, a revisit by Jonathan Gorvett | Shakespeare’s Merchant by Oscar Mandel | Toughs by Anthony Howell | Holding the desert, a sequence of poems by Richard Berengarten | Two pages by Michael Haslam | Contusion not Rind by Peter Larkin | Four poems by Katie Lehman | Blind summits, a sequence of poems with an audio track, by Peter Robinson | The Censor of Art by Samuel Barlow | Small Magazines, and their discontents (as of 1930) by Ezra Pound | Modern Artiques by Robert McAlmon | Two poems, with an audio track, from Heart Monologues by Jasmina Bolfek-Radovani | Blavatsky in violet: poetry by Alan Morrison | Everything that is the case: A review of John Matthias’s Some of Her Things by Peter Robinson | Khlystovki by Marina Tsvetaeva, newly translated by Inessa B. Fishbeyn and C. D. C. Reeve | A king and not a king, a poem by W. D. Jackson | Violet, an essay by John Wilkinson :: For much more, please consult our partial archive, below on this page.
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Time Out’s New York listings here.
2011: Golden-beak in eight parts. By George Basset (H. R. Haxton).
2012: The Invention of the Modern World in 18 parts. By Alan Macfarlane.
2013: Helen in three long parts. By Oswald Valentine Sickert.
2016: The Survival Manual by Alan Macfarlane. In eight parts.
2018: After the Snowbird, Comes the Whale, by Tom Lowenstein.
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By Roger Berkowitz, Juliet du Boulay, Denis Boyles, Stan Carey, H.R. Haxton, Allen M. Hornblum, Alan Macfarlane, Anthony O’Hear, Andrew Sinclair, Harry Stein, Eugène-Melchior de Vogüé, and many others. Free access.
· James Thomson [B.V.]
Occ. Notes…
A dilemma for educators:
Philosophy and the public impact.
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Michelene Wandor on Derek Walcott and the T.S. Eliot Prize.
.Nick Lowe: the true-blue Basher shows up for a friend.
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Anthony Howell: The new libertine in exile.
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Kate Hoyland: Inventing Asia, with Joseph Conrad and a Bible for tourists.
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Who is Bruce Springsteen? by Peter Knobler.
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Martin Sorrell on John Ashbery’s illumination of Arthur Rimbaud.
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The beauty of Quantitative Easing.
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Prohibition’s ‘original Progressives’.
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European populism? Departments
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Posthuman and categorically nebulous art writing.
A Fortnightly Review
These Wonderful Spring Days
by Jeremy David Stock
Repress | 100 pp | £10.00 $15.00
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By MICHAEL HAMPTON.
[This is] a book that delves into outer rather than inner space, oneiric rather than factual, but always driven by a desire to be free of intractable problems.
Stock’s voice scours life, navigating a theoretical field in case there might be a gift overlooked in dreams…
Here he adopts the role of neo-virtuoso, dabbler, hobbyist, minor poet pursuing a relentless Parmenidean investigation without any obvious telos apart from the softback covers binding his complex suites of writing. His voice scours life, navigating a theoretical field in case there might be a reward at the end of the night, or rather a gift overlooked in dreams, a surprise payoff in the form of an afterlife or cosmic time travel. The book’s full-bleed cover photograph of a NASA Hubble space telescope view into a stellar breeding ground in 30 Doradus in the Tarantula Nebula signposts the interdisciplinary, categorically nebulous identity of TWSD. Published by Re-press.org, predominantly an academic philosophy imprint, its credentials as both a piece of distilled art writing with sublime timbres, and an adaptation to deal with information overload and political turbulence place it among a growing corpus of important posthuman literature, such as Margaret Atwood’s The Year of the Flood (2009), and Daisy Hildyard’s The Second Body (2017); a distant cousin to his old tutor Jeff Nuttall’s iconic account of the 1960s: Bomb Culture (1968).
Michael Hampton is a writer and critical theorist based in London with a special interest in artists’ publishing. He has contributed to many magazines and journals including The Blue Notebook, Frieze, Geschichte, The Penguin Collector’s Journal, Rapport, Schizm, /Seconds and The White Review. He writes regularly for Art Monthly and in 2015 his revisionist history Unshelfmarked: Reconceiving the Artists’ Book was published by Uniformbooks. Sharon Kivland recently published his speculative essay “Beyond Walter Benjamin’s Paris & Kenneth Goldsmith’s New York” as a limited edition in her series The Good Reader: Beyond Walter Benjamin’s Paris & Kenneth Goldsmith’s New York (Anagram Books). He is currently working on a collection of psychogeographical writings about London.
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Publication: Monday, 1 October 2018, at 22:45.
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