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Cluster index: Michael Hampton

Turner’s Loom.

Michael Hampton: ‘It is as a re-writer of London that Turner is most effective, joining the crowd of post-Sinclair names cited above who are re-imagining the city, a cross between Urbex trespassers and sober archivists, equipped with proprioceptive sensitivities that can tune into both ancient resonances as well as stand witness to traumatic contemporary change.’

Underground fiction.

Michael Hampton: ‘A Ficto-Historical Theory of the London Underground is neither a fiction nor a history (though it borrows traits from both) but a courageous, if odd, hybrid. In 1776 Dr Johson remarked of the digressive novel Tristram Shandy, that “Nothing odd will do long”, underestimating its innovative features. It would be easy to make the same mistake again, ignoring the way Jobst as “amateur-scholar” has defamiliarized the experience of riding “the Tubes”. ‘

Posthuman and categorically nebulous art writing.

Michael Hampton: ‘Ultimately though the first half of TWSD is a vehicle that launches the second’s deep probe, a journey away from the failed industrial project that was Planet Earth, where “all is lost”, into boundless space and “towards” a Theory of Everything. This involves facing “the insoluble problem of turbulence in the dynamics of non-solid media” whilst recognising how human intelligence is co-evolutionary, embedded in the universe as a means of its progressive destiny through endless cycles of intentional destruction.’