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Mariangela
Ian SeedThree texts
Rupert M LoydellVessel
Melita SchaumSome Guts
Simon Collings (with collages by John Goodby)Three Short Fictions
Meg PokrassThe Campus Novel
Peter RobinsonCharlie Boy and Captain Fitz: A One-Act Play
Alan WallSnapshot, Sachsenhausen and three more poems
Peter BlairSeven short poems
Lucian Staiano-DanielsFour prose poems
Olivia TuckThe Back of Beyond and two more prose poems
Tony KittTwo poems
Moriana Delgadofrom Reverse | Inverse
Lucy HamiltonSix haibun
Sheila E. MurphyKingfishers and cobblestones and five more new poems
Kitty HawkinsZion Offramp 76–78
Mark ScrogginsCome dancing with me and two more new poems
Marc VincenzPlease swipe right
Chloe Phillips‘Three Postcards’ and a prose poem
Linda BlackStill life
Melita SchaumIn memory of
John Taylor with drawings by Sam ForderImmortal wreckage
Will StoneNew in Translation
Snowdrifts
Marina Tsvetaeva, trans. by Belinda CookePoems from Prière (1924)
Pierre Jean Jouve, trans. by Will StoneSix prose poems
Pietro di Marchi, trans. by Peter RobinsonThe goddess of emptiness.
Jean Frémon, trans. by John Taylor -
A new Review of John Matthias’s Some Words on Those Wars by Garin Cycholl.
Anthony Howell’s review, A Clutch of Ingenious Authors: Michelene Wandor Four Times EightyOne: Bespoke Stories | Annabel Dover Florilegia | Sharon Kivland Abécédaire
Essays by Alan Wall
· ‘King of Infinite Space’: The Virtue of Uncertainty
· AI: Signs of the Times
· The Lad from Stratford
· Stanley Kubrick: Sex in the CinemaWill Stone’s Missing in Mechelen and At Risk of Interment
G. Kim Blank’s Civilizing, Selling, and T. S. Eliot Curled Up behind the Encyclopædia Britannica
Tronn Overend’s Samuel Alexander on Beauty
AND Conor Robin Madigan’s Master Singer, Simon Collings’s Robert Desnos, Screenwriter, and Igor Webb’s Never Again
Simon Collings, Carrying the past: The Afterlight by Charlie Shackleton.
New Fortnightly Serials
from The Runiad
Anthony Howellfrom White Ivory
Alan Walland much more below this column.
Departments
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Audio archive: Two poems, with an audio track, from Heart Monologues by Jasmina Bolfek-Radovani | Daragh Breen’s Aural Triptych | Hayden Carruth reads Contra Mortem and Journey to a Known Place | Anthony Howell reads three new poems | James Laughlin reads Easter in Pittsburgh and five more | Peter Robinson reads Manifestos for a lost cause, Dreamt Affections, Blind Summits and Oblique Lights
Previous Serials
2011: Golden-beak in eight parts. By George Basset (H. R. Haxton).
2012: The Invention of the Modern World in 18 parts. By Alan Macfarlane.
2013: Helen in three long parts. By Oswald Valentine Sickert.
2016: The Survival Manual by Alan Macfarlane. In eight parts.
2018: After the Snowbird, Comes the Whale, by Tom Lowenstein.
LONDON
Readings in The Room: 33 Holcombe Road, Tottenham Hale, London N17 9AS – £5 entry plus donation for refreshments. All enquiries: 0208 801 8577
Poetry London: Current listings here.
Shearsman readings: 7:30pm at Swedenborg Hall, 20/21 Bloomsbury Way, London WC1. Further details here.NEW YORK
10 reliable poetry venues in NYC.
· The funeral of Isaac Albéniz
· Coleridge, poetry and the ‘rage for disorder’
· Otto Rank
· Patrons and toadying · Rejection before slips
· Cut with a dull blade
· Into the woods, everybody.
· Thought Leaders and Ted Talks
· How Mary Oliver ‘found love in a breathing machine.’
AND read here:
· James Thomson [B.V.]
A dilemma for educators:
Philosophy and the public impact.
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Michelene Wandor on Derek Walcott and the T.S. Eliot Prize.
.Nick Lowe: the true-blue Basher shows up for a friend.
Anthony Howell: The new libertine in exile.
Kate Hoyland: Inventing Asia, with Joseph Conrad and a Bible for tourists.
Who is Bruce Springsteen? by Peter Knobler.
Martin Sorrell on John Ashbery’s illumination of Arthur Rimbaud.
The beauty of Quantitative Easing.
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A resumé of Resistance.
A Fortnightly Review.
Curriculum Violette
by Robert Crawford
with a translation in French by Paul Malgrati
Molecular Press 2021 | 88 pp paperback | £8
By IAN SEED.
CURRICULUM VIOLETTE OFFERS us a fleeting and yet powerful portrait of the life of Violette Szabo (1921-45), a French-born British agent who fought alongside members of the French Resistance and who died in Ravensbrück concentration camp. In a parallel French-English text, Curriculum Violette employs and plays off the basic structure of a CV. This approach could so easily fall into a hagiographic and sentimental commemoration, but avoids doing so by the way it juxtaposes documentary facts with brief yet unforgettable sensory impressions.
Violette Szabo’s life is both ordinary and extraordinary. The first section of the book opens with some bare facts:
NAME
Violette Reine Elizabeth Bushell
D.O.B.
26 6 21
ADDRESS
18 Burnley Road
Stockwell,
London SW9
It then moves to offering us its first brushstrokes of a life not untypical of a young woman of that time:
DATE
late July 1938 (time for a dance)
WEATHER
A chance of heat but not as good as France
We are given a list of stations that Violette would have known, along with more poetic detail, such as ‘Stockwell (tobacco smell; the tick and whip of skipping ropes)’. The ‘Assessment’ of her at that time is: ‘Lively, pretty girl; sporty; good French; black hair; no highbrow; devil-may-care’. She is awoken by:
The ‘flora and fauna’ of her life subtly allude to the birth of a romance:
She carries, among other things, a cigarette case and lipstick.
In the second section of the book, we move to 1941, a time when her life, like everyone else’s, is irrevocably affected by the Second World War. She joins the Auxiliary Territorial Service. In the stations now, we have ‘sirens, sandbags’, and a ‘Scottish accent yelling, “March!”’ As well as war, there is love. She marries a sergeant from the Lègion Etrangère, becomes ‘Mrs. Szabo’.
She now has a telephone number: ‘Bayswater 6188’. It is documentary details such as this which can be most poignant of all because they remind us so much of the transitory nature of all our lives.
There is another list of stations, which count amongst their midst: ‘Preston (milkless tea)’, ‘Carstairs Junction (a Polish sergeant’s smile)’, and ‘Crianlarich (red coals on waiting-room fire)’. She is on her way to Scotland for military training.
Violette’s husband is killed near El Alamein, she has a daughter, she joins the Secret Service. More documentary facts, impressionistic details, repeated motifs (‘Address’, ‘Date’, ‘Weather’, ‘Assessment’, ‘Stations’, ‘Things Carried’, ‘Terrain’, and so on), and quotations from prayers and excerpts from literature which will have comforted and inspired Violette, continue to be juxtaposed as we follow her into France (‘swastikas / the Eiffel Tower / the Madeleine’) and eventually to Ravensbrück.
Violette is a unique and ultimately heroic individual but she is also everywoman, showing us what we are all potentially capable of. She did not live to bear witness to her own life, but this haunting and poignant book challenges us to imagine and relive it for ourselves.
♦
Ian Seed’s collections include New York Hotel (2018), nominated by Mark Ford for TLS Book of the Year; Identity Papers (2016), and Makers of Empty Dreams (2014), all from Shearsman. His most recent chapbook is Distances (Red Ceilings, 2018). Translations include Bitter Grass, from the Italian of Gëzim Hajdari (Shearsman, 2020), and The Thief of Talant (Wakefield Press, 2016), the first translation of Pierre Reverdy’s Le voleur de Talan. He is a contributing editor of The Fortnightly Review and teaches Creative Writing at the University of Chester.
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Publication: Sunday, 13 June 2021, at 09:34.
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