Michael Blackburn: ‘This is the left splitting from top to bottom and from left to right. It’s fracturing, fissuring and turning in upon itself, from Corbyn and his clapped-out revolutionaries to the phoney class warriors with their intimidatory street “parties” and bloody bongos. Between them they have turned the comedy knob up to 11, going into a frenzy over cupcakes, brown sauce and Coco Pops with almond original milk at £3.40 a bowl. They’re a joke, but they’re so self-obsessed they don’t even know it.’
Beat meets Pop: Charles Plymell on Andy Warhols’ big roadtrip | Anthony Howell browses the Poetry Book Fair | Poetry and the fearful symmetry: Notes on the ‘Night Vision’ exhibition, by Daniel Bosch | Further notes from South Sinai by Hilary Gilbert | Gold, Fortnightly fiction by Martin Sorrell | Zoran Music at Dachau by Steven Jaron | Duties of care in the study of literature by Alex Wong | ‘After Tranströmer’ and four more poems by Colin Honnor | Andrew Graham-Yooll on Stephen Spender’s last take |
Translations of Shakespeare’s sonnets, and five more poems, by Emily Critchley | Octavio Paz at Cambridge, 1970: a memoir by Richard Berengarten (Burns) | Hoyt Rogers: Translating du Bouchet: An exchange with Peter Riley | Alan Wall: Walter Benjamin and the ‘canonicity’ of Kafka | Four new poems, including Ruskin at Brantwood by Christopher Steare | Nine thimblefuls of fiction by Ian Seed | Robert McHenry on Keats in the Ninth | My part in the downfall of everything: a satire by Anthony Howell | Marcel Cohen: The Magdeburg Sphere, translated by Steven Jaron |
Contact The Fortnightly.
Tuesday 15 September 2015, 7:30pm: Ian Brinton reads with Zoë Skoulding in the Blue Bus series. Venue: The Lamb (in the upstairs room), 94 Lamb’s Conduit Street, London WC1.
2011: Golden-beak in eight parts. By George Basset (H. R. Haxton).
2012: The Invention of the Modern World in 18 parts. By Alan Macfarlane.
2013: Helen in three long parts. By Oswald Valentine Sickert.
Alan Wall: William Blake. | Therianthropes and vents. | Constellations. | Pattern recognition and the periodic table. | Extremities of perception in an age of lenses. | Demotic ritual. | Science and disenchantment. | The self-subversion of the book. | Newton’s prisms. | The Janus face of Metaphor. | Clues and labyrinths. | Ruin, the collector and sad mortality.
Spritz at the villa. | The Feast of the Redentore.–>
Keith Johnson: Deganello’s ‘Torso’ sofa. | Kuramata’s ‘Miss Blanche’ chair. | A silver fruit bowl by Ettore Sottsass. | Pistoletto’s wall lamp. | Franz West’s austere chain lamp | Joseph Kosuth’s dream of Freud’s couch. | Lawrence Weiner’s mythic waste basket. | …and his desk and bench with a message.
Michael Blackburn: When Nietzsche and the Prophet came to England.
In the New Series
- The Current Principal Articles.
- Copyright, print archive & contact information.
- Editorial statement, submission guidelines, and proposing new Notices.
- For subscribers: Odd Volumes from The Fortnightly Review.
- Mrs Courtney’s history of The Fortnightly Review.
- Support for the World Oral Literature Project.
- The Fortnightly Review’s email list.
- The Function of Criticism at the Present Time.
- The Initial Prospectus of The Fortnightly Review.
- The Trollope Prize.
- The Editors and Contributors.
- An Explanation of the New Series.
- Subscriptions & Commerce.
By Roger Berkowitz, Juliet du Boulay, Denis Boyles, Stan Carey, H.R. Haxton, Allen M. Hornblum, Alan Macfarlane, Anthony O’Hear, Andrew Sinclair, Harry Stein, Eugène-Melchior de Vogüé, and many others. Free access.
· James Thomson [B.V.]
More daily in
Anthony Howell: The new libertine in exile.
Kate Hoyland: Inventing Asia, with Joseph Conrad and a Bible for tourists.
Who is Bruce Springsteen? by Peter Knobler.
Martin Sorrell on John Ashbery’s illumination of Arthur Rimbaud.
The beauty of Quantitative Easing.
Prohibition’s ‘original Progressives’.