-
About KU’s Trollope Prize.
1. Seven Short Poems by Lucian Staiano-Daniels.
2. Reflections on Anonymity 2 by W.D. Jackson.
3. On Learning a Poet I Admire Often Carries a Pocket Knife by David Greenspan.
4. Hautes Études and Mudra by Michael Londra.
5. Rhyme as Rhythm by Adam Piette.
6. Windows or Mirrors… by Charles Martin.
7. Three Texts by Rupert M. Loydell.
8. Two Poems by Moriana Delgado.
9. Mariangela by Ian Seed.
10. Six Prose Poems by Pietro De Marchi, translated by Peter Robinson.
…and much more, below in this column.
Audio archive: Two poems, with an audio track, from Heart Monologues by Jasmina Bolfek-Radovani | Daragh Breen’s Aural Triptych | Hayden Carruth reads Contra Mortem and Journey to a Known Place | Anthony Howell reads three new poems | James Laughlin reads Easter in Pittsburgh and five more | Peter Robinson reads Manifestos for a lost cause, Dreamt Affections,Blind Summits and Oblique Lights
New to The Fortnightly Review? Our online series, with more than 2,000 items in its archive, is more than ten years old! So, unless you’re reading this in the state pen, you may never catch up, but you can start here with ITEMS PUBLISHED DURING OUR 2023 HIATUS (July-August 2023):
Master Ru by Peter Knobler | Four Poems on Affairs of State by Peter Robinson | 5×7 by John Matthias | You Haven’t Understood and two more poems by Amy Glynn | Long Live the King and two more by Eliot Cardinaux, with drawings by Sean Ali Shostakovich, Eliot and Sunday Morning by E.J. Smith Jr. :: For much more, please consult our massive yet still partial archive.
2011: Golden-beak in eight parts. By George Basset (H. R. Haxton).
2012: The Invention of the Modern World in 18 parts. By Alan Macfarlane.
2013: Helen in three long parts. By Oswald Valentine Sickert.
2016: The Survival Manual by Alan Macfarlane. In eight parts.
2018: After the Snowbird, Comes the Whale, by Tom Lowenstein.
LONDON
Readings in The Room: 33 Holcombe Road, Tottenham Hale, London N17 9AS – £5 entry plus donation for refreshments. All enquiries: 0208 801 8577
Poetry London: Current listings here.
Shearsman readings: 7:30pm at Swedenborg Hall, 20/21 Bloomsbury Way, London WC1. Further details here.NEW YORK
10 reliable poetry venues in NYC.
· The funeral of Isaac Albéniz
· Coleridge, poetry and the ‘rage for disorder’
· Otto Rank
· Patrons and toadying
· Rejection before slips
· Cut with a dull blade
· Into the woods, everybody.
· Thought Leaders and Ted Talks
· How Mary Oliver ‘found love in a breathing machine.’
By Roger Berkowitz, Juliet du Boulay, Denis Boyles, Stan Carey, H.R. Haxton, Allen M. Hornblum, Alan Macfarlane, Anthony O’Hear, Andrew Sinclair, Harry Stein, Eugène-Melchior de Vogüé, and many others. Free access.
· James Thomson [B.V.]
Occ. Notes…
A dilemma for educators:
Philosophy and the public impact.
.
Michelene Wandor on Derek Walcott and the T.S. Eliot Prize.
.Nick Lowe: the true-blue Basher shows up for a friend.
Kate Hoyland: Inventing Asia, with Joseph Conrad and a Bible for tourists.
Who is Bruce Springsteen? by Peter Knobler.
Martin Sorrell on John Ashbery’s illumination of Arthur Rimbaud.
The beauty of Quantitative Easing.
DEPARTMENTS
Subscribe
0 Comments
On Simon Blackburn’s Truth.
A Fortnightly Review of
On Truth
by Simon Blackburn
Oxford University Press, 2018 | 142 pp | £9.95 $12.95
By ANTHONY O’HEAR.
These are some of the questions and theories which have occupied philosophers concerned with the notion of truth over the last century or two. The non-philosopher might wonder what might be gained from analyses of these sorts. How do any of them help us in our activities and enquiries? Does it really matter to a scientist, say, whether we opt for one or another of them? They all sound rather abstract and high-level, and most of what we actually want to say and do can be accommodated by each of them. This is the way of philosophical systems and theories: with ingenuity, more or less anything can be made to fit with most of them, our actual practices going on just as they did before.
Having a degree of scepticism about philosophical theories about truth, or about their significance, is not the same as having a scepticism about truth itself.
Of course, having a degree of scepticism about philosophical theories about truth, or about their significance, is not the same as having a scepticism about truth itself. On this point Blackburn is suitably robust. ‘Reality presses us to believe what is true’, he says; the fanatic in his desert hideout uses ‘a bank account accessed with a mobile phone’ to plot the overthrow of Western civilization, and so relies on the truth of much in (Western) science and technology, as we might add does the fashionable post-modernist academic flying across the Atlantic to deliver yet another ground-breaking lecture purporting to show that (scientific) truth is a racist or capitalist or paternalistic construct.
While unsurprisingly finding elements of truth in each of the philosophical theories of truth, Blackburn’s own sympathies lie with a combination of the pragmatism and deflationist approaches. Don’t worry about what truth is in some high-faluting and over-arching sense. Look rather at what we do and say in our various varieties of enquiry, as he calls them. Blackburn quotes James Clerk Maxwell, whom William James cites as responding to philosophical abstraction by saying, ‘Yes, but I want you to tell me the particular go of it’, and James himself as saying that ‘true ideas are those that we can assimilate, validate, corroborate and verify’.
NOTE: In The Fortnightly’s online template, illustrations are thumbnails with captions or onward text links embedded. To enlarge an illustration, click on it. To read a caption, hover over the illustration. To play an embedded video in a larger size, click twice.
In this Jamesian spirit Blackburn turns first in his second part to our actual practice of aesthetics and literary criticism. Here the particular go of things is supplied by T.S.Eliot: ‘The critic, one would suppose, if he is to justify his existence, should endeavor to discipline his personal prejudices and cranks – tares to which we are all subject –and compose his differences with as many of his fellows as possible in the common pursuit of true judgement’.1 Blackburn shows deftly and engagingly how we can look at many human activities in terms of the common pursuit of true judgement, including ethics, and religion, as well as aesthetics itself, and that where this is not achieved or achievable, there is nothing of real weight or significance. Talk of truth would have no place outside a common pursuit. Without too much stretching one could also see C.S. Peirce’s famous adage in this light: ‘The opinion which is fated ultimately to be agreed to by all who investigate, is what we mean by the truth, and the object represented in this opinion is the real.’2
Blackburn sums up his position thus:
He adds that looking at our activities in this way diminishes the gap often perceived between scientific enquiries on the one hand and ethical and aesthetic ones on the other. In all these cases we are concerned with the common pursuit of values and priorities, and in all cases what is at issue is a common pursuit, because all of us stand on ‘a huge deposit of history and culture, the work of generations of trial and error and refinement.’
Blackburn could at this point have referred to the closing sentences of Eliot’s essay:
The stress in both Blackburn and Eliot on the co-operative nature of enquiry and on the way in which abstract notions like truth, reality, reason and so on have the home in specific activities of action and enquiry is wholly congenial. Further it is a useful corrective to the perennial philosophical temptation to talk about pure ideas, as Peirce has it in Blackburn’s epigraph to his book, ‘vagabond thoughts that tramp the public highways without any human habitation’, rather than starting with ‘men and their conversation’.
Having spoken warmly on Blackburn’s book thus far, and on the general direction of his argument, I must end with a caveat. We have seen James talking about truth as referring to the ideas that we can assimilate, validate, corroborate and verify. We have at some point to ask who the ‘we’ are. In Blackburn’s book, short as it is, there are what among intellectuals and the like are the now ritual swipes at the election of President Trump, at Brexit, and even at the second Iraq war. No doubt it is good to get such things off one’s chest, but given that in the first two cases anyway electoral majorities went one way rather than the other, one wonders what has happened to the commonality of our common pursuit. Who are the ‘we’ here? Can or should everything about these majorities be written off as cases of unsophisticated people being taken in by lies and deception, as Blackburn (among many others, it has to be said) seems to imply?
The question of the commonality of ‘our’ common pursuit is perhaps more significant when it comes to religion. Here Blackburn is not altogether unfair. He writes about the social binding religion can supply and also quite positively about some of the attitudes — such as a beatific or awe-struck attitude to the world — which religions can engender. But, like his mentor Hume, he is wholly negative about anything beyond a religion of silence, anything which purports to tell us anything substantial about the infinite or a world beyond the empirical.
The music of Bach is one thing, he says, ‘and if appreciating it exhausted religious practice, all would be well, but the hatreds and sectarians and jihadists are another’. The music of Bach is indeed one thing, and one thing with which non-believers struggle, for what that music is expressing is a fully dogmatic, guilt-laden and grace-seeking Lutheranism, the Epistle to the Romans raised to the highest level of human expressive creativity. In listening to Bach, whether we like it or not, we are being shown in the most forceful way possible what it is like to be a Lutheran. We are brought to entertain the truth of these things, at least as long as we are listening to the Passions and the Church Cantatas. We are brought to entertain and experience the possibility that these things might actually be true to our experience, and just true.
Religions have their own faults, and sectarianism and jihadism are two of them, but seeing the best of religious practice and expression as pointing to truths beyond the empirical does not force us into such deformations.
Of course, more than Bach may have been able to do, we appreciate the existence and even the validity of religious traditions other than those of eighteenth-century Leipzig. But the option our common pursuit might suggest is not that between Luther and sectarians and jihadists. If, in listening sympathetically to Bach, we begin to entertain the possibility of what he is telling us, we can also examine sympathetically other religious traditions to see how far in their own terms similar possibilities to those of Bach and Luther are being articulated. In other words, if listening to the music of Bach, or looking at the work of Michelangelo, or reading Dante coveys to us certain religious possibilities, we can equally approach other religious traditions as also conveying, in their own terms, similar possibilities. Religions have their own faults, and sectarianism and jihadism are two of them, but seeing the best of religious practice and expression as pointing to truths beyond the empirical does not force us into such deformations. And given that we are about the common pursuit of true judgement, ruling out as irrational almost a priori one powerful stream of human practice, as Blackburn appears to do, is far too quick.
Actually Peirce, whom Blackburn esteems, is relevant here. As we have seen, Peirce speaks of the truth as that opinion on which it ‘is fated to be ultimately agreed to by all who investigate’. What Blackburn does not mention here, and what will provide some answer to the doubt we have already raised about the conformation of the human mind to the cosmos, is that Peirce sees our investigations as being part of a process by which the universal mind gradually comes to understand itself and the cosmos which it supports. Peirce is an idealist; we are part of the universal mind, and as such we have ‘some glimmer of co-understanding with God or with Nature’. We and our investigations are part of an evolutionary process driven by divine purpose and love. Seeing science in this way would go some way both to explaining its extraordinary success in areas way beyond what is necessary for our survival, and also to giving us confidence that what we arrive at in our best scientific investigations is not going to be way off key.
My purpose in raising these Peircean thoughts is not to endorse them wholly or even in part, but rather to indicate the way in which an examination of human activities, such as science here, and also perhaps, ethics, politics and aesthetics, may in a non-dogmatic way suggest that they themselves point to realities beyond the merely human, that they intimate transcendent realities and are supported by them. Religion(s) can then be seen not as disconnected from human life and gesturing at things we have no knowledge of or competence in, but rather as arising from our very grounded life on this earth, and as attempting in partial ways to articulate the transcendent realm and reality of which we have intimations. A perspective such as this would explain why in Peirce’s view, honest enquirers are ultimately fated to agree, and also fill out Eliot’s sense that our common pursuit can afford us the possibility of arriving at something outside of ourselves.
♦
Anthony O’Hear OBE is professor of philosophy at the University of Buckingham, director of the Royal Institute of Philosophy, editor of the journal Philosophy, and is a philosopher with a special interest in education. Among his most recent books: History of Philosophy: Twentieth-Century Perspectives (as editor), Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia (with Natasha O’Hear) and The Great Books: A Journey through 2,500 Years of the West’s Classic Literature. He is also co-editor emeritus of The Fortnightly Review. An archive of his work is here.
NOTES.
Related
Publication: Thursday, 16 August 2018, at 09:37.
Options: Archive for Anthony O'Hear. Bookmark the permalink. Follow comments here with the RSS feed. Post a comment or leave a trackback.