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	<description>&#039;the stroke of an oar given in true time&#039;</description>
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		<title>The Invention of the Modern World 4.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/invention-4/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/invention-4/#comments</comments>
		<pubDate>Tue, 15 May 2012 11:05:02 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Spring-Summer Serial 2012]]></category>
		<category><![CDATA[Alan Macfarlane]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=7287</guid>
		<description><![CDATA[Spring-Summer Serial 2012. Chapter 4: THE ORIGINS OF CAPITALISM By Alan Macfarlane. THE INDUSTRIAL AND agricultural revolutions were part of something even bigger – namely market capitalism, a complex set of attitudes, beliefs, institutions and networks within which economy and technology are situated. The quintessential features of this system have often been described. At its [...]]]></description>
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		<title>Metaphor and poetic mendacity.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/metaphor-mendacity/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/metaphor-mendacity/#comments</comments>
		<pubDate>Sun, 13 May 2012 23:38:06 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Archived content]]></category>
		<category><![CDATA[Reference Archive]]></category>
		<category><![CDATA[The Fortnightly Review of Books]]></category>
		<category><![CDATA[Roden Noel]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=7261</guid>
		<description><![CDATA[Roden Noel: When...we attribute to nature a sympathy with our moods, whether of joy or sorrow, we are not under an amiable delusion; the intuition is true, although the shape it assumes may not always be scientifically correct. Nature, like man, has her bright, rich, joyous, and her desolate, decaying phases; in joy we feel the former most, in sorrow we feel and discern more especially the latter. We may indulge these feelings to a morbid degree and see things too brightly or too gloomily; but the sense of a sympathy in nature has its basis in fact.]]></description>
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		<title>Darwinian publishing and the future of the novel.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/darwinian-publishing-future-novel/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/darwinian-publishing-future-novel/#comments</comments>
		<pubDate>Wed, 09 May 2012 10:25:52 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=7258</guid>
		<description><![CDATA[As we move into the digital age, the well-made copy has come to occupy a familiar, almost nostalgic middle ground between the aura of an original and the ghostly quality of a computer file. A mass-produced paper book, though bulkier and more expensive, may continue to be more desirable because it carries with it this material presence.]]></description>
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		<title>The Janus Face of Metaphor.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/wall-metaphor/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/wall-metaphor/#comments</comments>
		<pubDate>Tue, 08 May 2012 11:59:17 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Clues & Labyrinths]]></category>
		<category><![CDATA[The Fortnightly Review of Books]]></category>
		<category><![CDATA[Alan Wall]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=7050</guid>
		<description><![CDATA[Alan Wall: Rid language of metaphor and it falls apart. In fact, it is impossible to speak without metaphor. Even if we trained ourselves to avoid figures of speech altogether, catachresis inhabits the lexicon: our etymologies constitute a riot of metaphoric transfer.]]></description>
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		<title>Nicolas Sarkozy as George H.W. Bush in translation.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/sarkozy-bush/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/sarkozy-bush/#comments</comments>
		<pubDate>Tue, 08 May 2012 09:45:03 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Politics & Culture]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=7237</guid>
		<description><![CDATA[Sarkozy seemed to represent a refreshing future for French politics after years dominated by cynical men like Mitterand and Chirac. And he seemed like a man of the moment: Throughout the world there is a growing disgust with the political class — the same gallery of men and women with the same trite ideas and sentimental platitudes, all propped up by media companies that have lost their ability to inform, let alone influence.]]></description>
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		<item>
		<title>Watching &#8216;Einstein on the Beach&#8217; through a periscope.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/einstein-beach/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/einstein-beach/#comments</comments>
		<pubDate>Sun, 06 May 2012 11:37:01 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Dance & Performance]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Notes & Comment]]></category>
		<category><![CDATA[Anthony Howell]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=7214</guid>
		<description><![CDATA[Anthony Howell: Backwards clocks and crazed compasses dangle before our eyes, and I notice that everyone in the cast is wearing a watch. Time is Wilson’s essential subject. Things happen at different speeds yet ruthlessly conform to the order of brittleness. The stage is steeped in cloud, and a text on a drop curtain depicting a hydrogen bomb explosion reminds us of molecules of dust generating further terrible heat. We are judged by an elderly black man and a white child; by age and by race. As they consult with each other, a black circle covers a white disk. The cast open their paper bags. It’s okay, we’re not doomed. We’re only on our lunch break.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>The Invention of the Modern World 3.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/invention-3/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/invention-3/#comments</comments>
		<pubDate>Tue, 01 May 2012 23:50:09 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[History, Anthropology & Travel]]></category>
		<category><![CDATA[Spring-Summer Serial 2012]]></category>
		<category><![CDATA[Alan Macfarlane]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6851</guid>
		<description><![CDATA[Spring-Summer Serial 2012. Chapter 3: MODERN TECHNOLOGY By Alan Macfarlane. IT IS USUAL to separate the industrial and agricultural revolutions, but in the short space here available, I shall treat them together and over a much longer time frame than is normal. The final break-through to steam power in the later eighteenth century is only [...]]]></description>
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		<title>Protected: &#8216;AFRICA DIARY&#8217; Diary 2: Doing Nokia.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/add2/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/add2/#comments</comments>
		<pubDate>Tue, 01 May 2012 00:10:33 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Africa Diary]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6943</guid>
		<description><![CDATA[There is no excerpt because this is a protected post.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Protected: &#8216;AFRICA DIARY&#8217; Diary 3: The Cape.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/add3/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/add3/#comments</comments>
		<pubDate>Tue, 01 May 2012 00:09:42 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Africa Diary]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6659</guid>
		<description><![CDATA[There is no excerpt because this is a protected post.]]></description>
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		<item>
		<title>Protected: &#8216;AFRICA DIARY&#8217; Diary 4: In the trees.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/add4/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/add4/#comments</comments>
		<pubDate>Tue, 01 May 2012 00:06:30 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Africa Diary]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=7045</guid>
		<description><![CDATA[There is no excerpt because this is a protected post.]]></description>
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