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	<description>&#039;the stroke of an oar given in true time&#039;</description>
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		<title>At the Super Bowl, a demonstration of the philosophy of half-time.</title>
		<link>http://fortnightlyreview.co.uk/2012/02/super-bowl-demonstration-philosophy-half-time/</link>
		<comments>http://fortnightlyreview.co.uk/2012/02/super-bowl-demonstration-philosophy-half-time/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 10:57:19 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Sport & Fashion]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6228</guid>
		<description><![CDATA[Madonna, I appreciate your commitment to this alleged “wow factor.” But. Oh.]]></description>
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		<title>Cissy Patterson: an American journalist&#8217;s three-drink claws.</title>
		<link>http://fortnightlyreview.co.uk/2012/02/cissy-patterson-american-journalists-three-drink-claws/</link>
		<comments>http://fortnightlyreview.co.uk/2012/02/cissy-patterson-american-journalists-three-drink-claws/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 11:22:18 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[History & Biography]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6224</guid>
		<description><![CDATA[Following the trend of Americans making socially advantageous marriages to European aristocrats, Patterson wed a Russian count who abused her and kidnapped their only child. It's an incredible story given new life through [Amanda] Smith’s research, which uncovered sources that reveal how - through the intervention of Patterson’s family, President Taft and the Russian Czar - Patterson’s three-year-old daughter was finally returned home.]]></description>
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		<title>&#8216;Poetry is not fashion; it does not need to reinvent itself every five or ten years&#8217;.</title>
		<link>http://fortnightlyreview.co.uk/2012/01/poetry-not-fashio/</link>
		<comments>http://fortnightlyreview.co.uk/2012/01/poetry-not-fashio/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 21:15:45 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Poetry & Fiction]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6181</guid>
		<description><![CDATA[I believe that the excessive individualism concerning the means of expression, to which we were led during the 20th century, this constant and forced hunting of innovation that Ezra Pound called “Make it new!”, all this led contemporary poetry to a dead-end. ]]></description>
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		<title>Meet Coco de Mer, potency enhancer.</title>
		<link>http://fortnightlyreview.co.uk/2012/01/meet-coco-de-mer-potency-enhancer/</link>
		<comments>http://fortnightlyreview.co.uk/2012/01/meet-coco-de-mer-potency-enhancer/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 12:24:08 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Currente Calamo]]></category>
		<category><![CDATA[Science & Technology]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6184</guid>
		<description><![CDATA[These days, the hope in Berlin is that the palm tree merely survives. After all, it is a very special plant. During a visit to the Seychelles in the late 19th century, British Gen. Charles Gordon, the former governor-general of the Sudan, stumbled upon the following notion: He was convinced that the Coco de Mer was undoubtedly the forbidden fruit of the biblical Tree of Knowledge. ]]></description>
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		<title>A &#8216;pomenvylope&#8217; by Nicholas Moore.</title>
		<link>http://fortnightlyreview.co.uk/2012/01/pomenvylope-nicholas-moore/</link>
		<comments>http://fortnightlyreview.co.uk/2012/01/pomenvylope-nicholas-moore/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 17:54:06 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[In Memoriam]]></category>
		<category><![CDATA[Poetry & Fiction]]></category>
		<category><![CDATA[Principal Articles]]></category>
		<category><![CDATA[Martin Sorrell]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6127</guid>
		<description><![CDATA[Martin Sorrell: The type is blotchy, made worse by an expiring ribbon and a clutter of corrections hammered over the several typos. This 'pomenvylope', and the few others I’ve managed to read, speak to me of the frustration Moore lived with for the decades after brief fame had become neglect. They express the dogged endurance of a poet still possessed of a strong voice and the wish to have it heard.]]></description>
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		<title>Tango star Andrea Missé, 1976-2012.</title>
		<link>http://fortnightlyreview.co.uk/2012/01/tango-star-andrea-misse-1976-2012/</link>
		<comments>http://fortnightlyreview.co.uk/2012/01/tango-star-andrea-misse-1976-2012/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 22:54:08 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Dance & Performance]]></category>
		<category><![CDATA[In Memoriam]]></category>
		<category><![CDATA[Anthony Howell]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6145</guid>
		<description><![CDATA[In Memoriam. By Anthony Howell. THE WORLD OF ARGENTINE tango has lost one of its brightest proponents. Andrea Missé, who reintroduced traditional close-embrace tango to the world, was known for her fluidity, her beautiful adornments and her perfectly musical technique. Slim, trim, impeccably groomed, with the neatest footwork in the business, Andrea was a member [...]]]></description>
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		<title>Famous last words from publisher Jane Friedman?</title>
		<link>http://fortnightlyreview.co.uk/2012/01/famous-words-publisher-jane-friedman/</link>
		<comments>http://fortnightlyreview.co.uk/2012/01/famous-words-publisher-jane-friedman/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 13:19:11 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Currente Calamo]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6123</guid>
		<description><![CDATA["The consumer is not asking for this," said Jane Friedman, CEO of Open Road Media, an e-book publisher that is experimenting with enhanced titles. "It takes it from being a reading experience to something else, and we are publishers."]]></description>
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		<title>Schoolbook battles: Education publishers and their little-read books triumph.</title>
		<link>http://fortnightlyreview.co.uk/2012/01/schoolbook-battles-education-publishers-little-read-books-triumph/</link>
		<comments>http://fortnightlyreview.co.uk/2012/01/schoolbook-battles-education-publishers-little-read-books-triumph/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 22:41:13 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6121</guid>
		<description><![CDATA[very education publisher knows that its biggest growth opportunities are digital products and services, expansion into global markets, and efficient investment in its content-based enterprises (like books and journalism).

]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Finally, a word in opposition to a belief in trout-turkeys.</title>
		<link>http://fortnightlyreview.co.uk/2012/01/finally-word-opposition-belief-trout-turkeys/</link>
		<comments>http://fortnightlyreview.co.uk/2012/01/finally-word-opposition-belief-trout-turkeys/#comments</comments>
		<pubDate>Sat, 14 Jan 2012 00:26:06 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Philosophy & Education]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6109</guid>
		<description><![CDATA[It might be a surprise to non-metaphysicians to discover the extent to which it is questionable whether the familiar objects we see and interact with – the dogs, trees, iPods, and so on – really exist. And yet, these familiar objects are actually very strange. For example, we take for granted that very same object can change all of its properties, and all of its matter, and yet somehow remain the same object. but how can that be?]]></description>
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		<title>Notes on the complexities of Post-Modernism.</title>
		<link>http://fortnightlyreview.co.uk/2012/01/notes-post-modernism/</link>
		<comments>http://fortnightlyreview.co.uk/2012/01/notes-post-modernism/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 14:24:36 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Art & Architecture]]></category>
		<category><![CDATA[Notes & Comment]]></category>
		<category><![CDATA[Principal Articles]]></category>
		<category><![CDATA[Charles Jencks]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6083</guid>
		<description><![CDATA[Charles Jencks: In architecture, the movement has returned after the Neo-Modernism of the 1990s, in every way but by name. The world is now saturated by the confused labels of Modernism and Post-Modernism, but the streams of concerns to which these labels used to refer are continuing. That is apparent in architecture with the digital ornament (a leading movement), the iconic building (with its many marvellous and woeful examples), and the hybrid “time buildings” (that mix past, present and future architectural codes).]]></description>
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