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Index: The Fortnightly Review of Music

· Benjamin Britten’s Midsummer Camp.

Michelene Wandor: The end of the first half culminates in Shorty pulling himself on his stomach, across the front of the stage, to end with his head in Gangly’s lap. Perhaps this is true happiness. Perhaps not.

Wagner’s other ‘ring cycle’ and its problems.

William Ashton Ellis: ‘Less than four months after the words last cited, Richard Wagner sees that even the transcendent ideal which has sustained him in his troubles hitherto must be renounced. Of his own free will he writes Mathilde in December, resigning his last claim to soul-communion, whilst he seeks to turn the mournful stream of his reflections by taking up a “comic opera,” Die Meistersinger.’