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	<title>The Fortnightly Review &#187; Excerpts &amp; Passages</title>
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	<description>&#039;the stroke of an oar given in true time&#039;</description>
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		<title>· Dulce et Decorum Est.</title>
		<link>http://fortnightlyreview.co.uk/2011/11/dulce-et-decorum-est/</link>
		<comments>http://fortnightlyreview.co.uk/2011/11/dulce-et-decorum-est/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 11:00:18 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[Poetry & Fiction]]></category>
		<category><![CDATA[Reference Archive]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=5587</guid>
		<description><![CDATA[Owen: In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.]]></description>
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		</item>
		<item>
		<title>• Pouring cold water on media hysteria.</title>
		<link>http://fortnightlyreview.co.uk/2011/08/pre-hurricane-traumatic-stress/</link>
		<comments>http://fortnightlyreview.co.uk/2011/08/pre-hurricane-traumatic-stress/#comments</comments>
		<pubDate>Sat, 27 Aug 2011 23:31:13 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[The press]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=4957</guid>
		<description><![CDATA[Helen Hunt Jackson: Reflecting on it, having it thrust in one's face at every book-counter, railway-stand, Sunday-school library, and parlor centre-table, it is hard not to wish for some supernatural authority to come sweeping through the wards, and prescribe sharp cold-water treatment all around to half drown all such writers and quite drown all their books!]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Marcel Proust as heterosexual Christian moralizer.</title>
		<link>http://fortnightlyreview.co.uk/2011/07/%e2%89%a1-prousts-christian-way-remembrance-contemporaneous-realization-then-art/</link>
		<comments>http://fortnightlyreview.co.uk/2011/07/%e2%89%a1-prousts-christian-way-remembrance-contemporaneous-realization-then-art/#comments</comments>
		<pubDate>Sun, 31 Jul 2011 16:45:04 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
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		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[Portfolios]]></category>
		<category><![CDATA[Principal Articles]]></category>
		<category><![CDATA[The Fortnightly Review of Books]]></category>
		<category><![CDATA[Elliott Coleman]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=4579</guid>
		<description><![CDATA[Elliott Coleman: 'I think it may be shown that Proust is more Christian than anything else. And further, it seems to me that in his unflagging and almost undeviating search for meaning, reality, and rightness of interpretation, his work becomes highly moral, judged by any system of affirmative morality: peculiarly so in the Western sense of the truth’s making us free, illumined, whole, and productive. For Proust the process was this: remembrance, contemporaneous realization, then art.']]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Summer Serial 2011: &#8216;Golden-beak&#8217;.</title>
		<link>http://fortnightlyreview.co.uk/2011/07/summer-serial-2011/</link>
		<comments>http://fortnightlyreview.co.uk/2011/07/summer-serial-2011/#comments</comments>
		<pubDate>Sun, 17 Jul 2011 00:17:31 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[Poetry & Fiction]]></category>
		<category><![CDATA[The Serial]]></category>
		<category><![CDATA[Henry Haxton]]></category>
		<category><![CDATA[Summer Serial 2011]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=4386</guid>
		<description><![CDATA[The New York Times: 'Golden-beak' tells of a feather-headed American woman, Mrs. Yosinde [sic] Potwin, who has a Japanese boy as man-of-all-work. Temechici [sic] falls in love with this mistress. He is the last of the Shoguns, a Prince in disguise. Temechici has, with other heroic traits, a talent for the improvising of sandwiches. But he is of a jealous disposition. One night he enters Mrs. Potwin's room...
– The New York Times.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>· Oscar Wilde&#8217;s &#8216;Picture of Dorian Gray&#8217; – full-length at last.</title>
		<link>http://fortnightlyreview.co.uk/2011/04/%c2%b7-oscar-wildes-picture-of-dorian-gray-%e2%80%93-full-length-at-last/</link>
		<comments>http://fortnightlyreview.co.uk/2011/04/%c2%b7-oscar-wildes-picture-of-dorian-gray-%e2%80%93-full-length-at-last/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 12:42:10 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[Noted elsewhere]]></category>
		<category><![CDATA[The Fortnightly Review of Books]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=3681</guid>
		<description><![CDATA[Deciding that the novel as it stood contained "a number of things which an innocent woman would make an exception to", and assuring his employer Craige Lippincott that he would make the book "acceptable to the most fastidious taste", Stoddart also removed references to Gray's female lovers as his "mistresses".]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Meet Dean Moriarty, the &#8216;Natty Light-slugging hero of the Southwest&#8217;.</title>
		<link>http://fortnightlyreview.co.uk/2011/02/meet-dean-moriarty-the-natty-light-slugging-hero-of-the-southwest/</link>
		<comments>http://fortnightlyreview.co.uk/2011/02/meet-dean-moriarty-the-natty-light-slugging-hero-of-the-southwest/#comments</comments>
		<pubDate>Sun, 13 Feb 2011 10:55:48 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[Noted elsewhere]]></category>
		<category><![CDATA[Poetry & Fiction]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=2831</guid>
		<description><![CDATA[My first impression of Dean was of a young The Situation—ripped, funny as shit, with spiked hair—a Natty Light-slugging hero of the Southwest.]]></description>
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		</item>
		<item>
		<title>Daniel Bell, an eloquent defender of modernity, dies at 91.</title>
		<link>http://fortnightlyreview.co.uk/2011/01/daniel-bell-modernitys-eloquent-old-fashioned-defender-dies-at-91/</link>
		<comments>http://fortnightlyreview.co.uk/2011/01/daniel-bell-modernitys-eloquent-old-fashioned-defender-dies-at-91/#comments</comments>
		<pubDate>Wed, 26 Jan 2011 16:54:54 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[Noted elsewhere]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=2651</guid>
		<description><![CDATA[Yet such a situation is unsettling, for in any society (other than a small one of peers) the loss of authority leads to a reliance on power, and power rules through the implicit threat and the explicit use of force. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Excerpt: (Eric) Ormsby on (Christopher) Ricks on (Bob) Dylan.</title>
		<link>http://fortnightlyreview.co.uk/2011/01/excerpt-eric-ormsby-on-christopher-ricks-on-bob-dylan/</link>
		<comments>http://fortnightlyreview.co.uk/2011/01/excerpt-eric-ormsby-on-christopher-ricks-on-bob-dylan/#comments</comments>
		<pubDate>Mon, 10 Jan 2011 13:53:58 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=2523</guid>
		<description><![CDATA[By ERIC ORMSBY [from Fine Incisions: Essays on Poetry and Place] – Whether writing on Tennyson, Eliot, Housman, Beckett, or many others, Christopher Ricks has always been a critic of exceptional learning and aplomb; that he has been generally given to a somewhat oblique, even eccentric angle of view &#8212; embarrassment in Keats, the subtleties [...]]]></description>
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		</item>
		<item>
		<title>Inventing Asia, with Conrad, Greene, and a tourists&#8217; Bible.</title>
		<link>http://fortnightlyreview.co.uk/2010/11/hoyland_icarus/</link>
		<comments>http://fortnightlyreview.co.uk/2010/11/hoyland_icarus/#comments</comments>
		<pubDate>Mon, 29 Nov 2010 00:01:49 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[History, Anthropology & Travel]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=2240</guid>
		<description><![CDATA[Kate Hoyland: 'My points of reference for writing about Asia in <em>The Icarus Diaries</em> – a fictionalised Asia, so doubly suspect – were Conrad – the old colonialist – and Greene, the “objective” journalist who travelled to war zones for kicks.']]></description>
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		</item>
		<item>
		<title>Cosmos, Life, and Liturgy.</title>
		<link>http://fortnightlyreview.co.uk/2010/07/cosmos-life-and-liturgy/</link>
		<comments>http://fortnightlyreview.co.uk/2010/07/cosmos-life-and-liturgy/#comments</comments>
		<pubDate>Fri, 16 Jul 2010 12:09:37 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Excerpts & Passages]]></category>
		<category><![CDATA[Philosophy & Education]]></category>
		<category><![CDATA[Politics & Culture]]></category>
		<category><![CDATA[Principal Articles]]></category>
		<category><![CDATA[The Fortnightly Review of Books]]></category>
		<category><![CDATA[Juliet du Boulay]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=1446</guid>
		<description><![CDATA[Juliet du Boulay: To recognize the enduring quality of much that I describe is not, however, to ignore the fact that change has always been a part of village life, and indeed so many changes have happened since I was in Ambeli in the 1960s and 1970s that much of the way of life recounted here can no longer be found. Earlier changes begin with the village itself, which had been built around 1800 by families who escaped there from a lower village which had been devastated by the Turks. Before this some of the big families were said to have come in a boat from the north, perhaps Pelion. These upheavals, however, dramatic though they were, did not necessitate a deep change of values but simply a reinterpretation of ancient themes in the new situation. ]]></description>
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