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	<description>&#039;the stroke of an oar given in true time&#039;</description>
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		<title>Darwinian publishing and the future of the novel.</title>
		<link>http://fortnightlyreview.co.uk/2012/05/darwinian-publishing-future-novel/</link>
		<comments>http://fortnightlyreview.co.uk/2012/05/darwinian-publishing-future-novel/#comments</comments>
		<pubDate>Wed, 09 May 2012 10:25:52 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=7258</guid>
		<description><![CDATA[As we move into the digital age, the well-made copy has come to occupy a familiar, almost nostalgic middle ground between the aura of an original and the ghostly quality of a computer file. A mass-produced paper book, though bulkier and more expensive, may continue to be more desirable because it carries with it this material presence.]]></description>
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		<title>Poetry Prize Culture and the Aberdeen Angus.</title>
		<link>http://fortnightlyreview.co.uk/2012/04/poetry-angus/</link>
		<comments>http://fortnightlyreview.co.uk/2012/04/poetry-angus/#comments</comments>
		<pubDate>Sun, 22 Apr 2012 19:05:41 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Poetry & Fiction]]></category>
		<category><![CDATA[Poetry Notes]]></category>
		<category><![CDATA[Principal Articles]]></category>
		<category><![CDATA[Peter Riley]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6902</guid>
		<description><![CDATA[Peter Riley: 'The judging criteria, being tied to a system of familiarity and recurrence, are inevitably subjective and inevitably self-propagating. What chance is there of objectivity in an art where there is no common agreement as to what constitutes its qualities?]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Visiting the rare pixel room at the new NYPL.</title>
		<link>http://fortnightlyreview.co.uk/2012/04/nypl-pixel/</link>
		<comments>http://fortnightlyreview.co.uk/2012/04/nypl-pixel/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 23:25:10 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6770</guid>
		<description><![CDATA[Will the new NYPL still support scholars — especially the independent scholars who need it most — and give students a chance to know and love real books as well as their digital shadows? Can public library budgets support the constant upgrading needed to keep a digital workspace usable?]]></description>
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		<title>One thing leads to another on the line of time.</title>
		<link>http://fortnightlyreview.co.uk/2012/03/leads-line-time/</link>
		<comments>http://fortnightlyreview.co.uk/2012/03/leads-line-time/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 23:49:26 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6552</guid>
		<description><![CDATA[By TIM WALKER [Independent] – From the ancient Roman calendar to Facebook&#8217;s brain-melting new &#8220;Timeline&#8221; profile layout, most of us are accustomed to visualising history as linear; a middle, book-ended by arbitrary beginnings and ends. And yet, timelines designed as a single straight axis, with a regular and measured distribution of dates, have only existed [...]]]></description>
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		<title>Event: Independent Press Day in Leicester, 17 March 2012.</title>
		<link>http://fortnightlyreview.co.uk/2012/03/event-independent-press-day-leicester-17-march-2012/</link>
		<comments>http://fortnightlyreview.co.uk/2012/03/event-independent-press-day-leicester-17-march-2012/#comments</comments>
		<pubDate>Tue, 13 Mar 2012 09:58:29 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6475</guid>
		<description><![CDATA[[From the announcement online] – Seventy writers, mostly from the East Midlands, will be reading from their work at &#8216;States of Independence&#8217;, an events programme at the Clephan Building, De Montfort University, Oxford Street, Leicester, on 17 March 2012. The event also features participants from independent publishers and writing organisations staffing bookstalls and displaying their [...]]]></description>
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		<title>Joseph de Maistre&#8217;s &#8216;different sort of progress&#8217;.</title>
		<link>http://fortnightlyreview.co.uk/2012/02/de-maistre/</link>
		<comments>http://fortnightlyreview.co.uk/2012/02/de-maistre/#comments</comments>
		<pubDate>Sat, 25 Feb 2012 13:20:04 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Notes & Comment]]></category>
		<category><![CDATA[Philosophy & Education]]></category>
		<category><![CDATA[Principal Articles]]></category>
		<category><![CDATA[The Fortnightly Review of Books]]></category>
		<category><![CDATA[Anthony O'Hear]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6320</guid>
		<description><![CDATA[Anthony O'Hear: There is one respect in which Maistre might himself be too much a figure of his own age: he is as much a believer in progress as his Enlightenment opponents. It is just a different sort of progress. ]]></description>
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		<title>Barney Rossett finally quits publishing.</title>
		<link>http://fortnightlyreview.co.uk/2012/02/barney-rossett-finally-quits-publishing/</link>
		<comments>http://fortnightlyreview.co.uk/2012/02/barney-rossett-finally-quits-publishing/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 20:49:58 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6327</guid>
		<description><![CDATA[He wanted to talk numbers, percentages, how the distribution worked. It was a lesson — and often enough he wanted a lesson in return, as he sat on his sofa with an ever-present rum and coke. It was like he never quit publishing.]]></description>
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		<title>Every Eliot needs a &#8216;better craftsman&#8217;.</title>
		<link>http://fortnightlyreview.co.uk/2012/02/eliot-better-craftsman/</link>
		<comments>http://fortnightlyreview.co.uk/2012/02/eliot-better-craftsman/#comments</comments>
		<pubDate>Mon, 20 Feb 2012 16:42:33 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>
		<category><![CDATA[Poetry & Fiction]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6314</guid>
		<description><![CDATA[All the main poetry publishers – Faber, Picador, Jonathan Cape, Carcanet and Bloodaxe – have practising poets as editors, and a house’s tone and fortunes can be radically altered depending on the poet in charge of the poems of others.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Of the mainstream American book reviews, which one gets the rave?</title>
		<link>http://fortnightlyreview.co.uk/2012/02/mainstream-american-book-reviews-rave/</link>
		<comments>http://fortnightlyreview.co.uk/2012/02/mainstream-american-book-reviews-rave/#comments</comments>
		<pubDate>Fri, 17 Feb 2012 00:45:02 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6293</guid>
		<description><![CDATA[The graphics are vivid, and for a newspaper that long limited itself to small line drawings, it is still surprising to see illustrations in color and reflecting careful selection designed to underscore the theme of the books. ]]></description>
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		<title>What the friends of Charles Dickens said about him after he died.</title>
		<link>http://fortnightlyreview.co.uk/2012/02/friends-charles-dickens-died/</link>
		<comments>http://fortnightlyreview.co.uk/2012/02/friends-charles-dickens-died/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 09:16:42 +0000</pubDate>
		<dc:creator>The Editors</dc:creator>
				<category><![CDATA[Books & Publishing]]></category>
		<category><![CDATA[Chronicle & Notices]]></category>

		<guid isPermaLink="false">http://fortnightlyreview.co.uk/?p=6234</guid>
		<description><![CDATA[Wilkie Collins never did put Dickens in the top echelon of novelists. That honour he reserved for James Fenimore Cooper, Walter Scott, and Honoré de Balzac...]]></description>
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